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7

Article: Album Review

Marius Neset: Pinball

Read "Pinball" reviewed by Ian Patterson


Though Marius Neset thrives in small ensemble settings, his writing has increasingly exhibited orchestral ambition, as witnessed on the thrilling Birds (Edition Records, 2013), which saw his quintet augmented by brass, accordion and woodwind instruments to spectacular effect, and on Lion (ACT Music, 2014), a powerful outing with the Trondheim Jazz Orchestra. The aptly named Pinball ...

94

Article: Album Review

Atomic: Lucidity

Read "Lucidity" reviewed by Glenn Astarita


There's an inference on this Norwegian ensemble's webpage bio that its blend of free-jazz and dynamic mode of operations is the antithesis to their fellow countrymen's largely quaint or ethereal jazz output evidenced on ECM Records, for example. However, it's not that these innuendos or tenets are viewed as negatives, but the highly respected musicians comprising ...

Article: Album Review

Nils Okland, Per Steinar Lie, Orjan Haaland: Lumen Drones

Read "Lumen Drones" reviewed by Vincenzo Roggero


Violino, chitarra elettrica, batteria, i suoni spaziosi della ECM, i riferimenti più eterogenei -noise, folk, ambient, free, minimalismo, post rock-e Lumen Drones è servito. Loro sono tre musicisti norvegesi dal background alquanto variegato, che si incontrano occasionalmente nel 2008 in sala d'incisione, si ritrovano a condividere lo stesso palco ma con formazioni differenti nel 2010, decidono ...

62

Article: Album Review

Bly De Blyant: Hindsight Bias

Read "Hindsight Bias" reviewed by Glenn Astarita


This genre-leaping international trio is fronted by Norwegian drummer Øyvind Skarbø, and features Icelandic guitarist Hilmar Jensson (TYFT, Jim Black's AlasNoAxis) and Brooklyn-based multi-instrumentalist Shahzad Ismaily (Marc Ribot, John Zorn). With its second album, the trio's enterprising electro-organic mix proffers a sense of adventure via these compact and disparate pieces, underscored by memorable themes, which is ...

61

Article: Album Review

Friends & Neighbors: Hymn For A Hungry Nation

Read "Hymn For A Hungry Nation" reviewed by Glenn Astarita


This Norwegian band derives its moniker from one of saxophonist Ornette Coleman's slightly overlooked units Friends and Neighbors, culminating in the 1970 release Live At Prince Street on the Flying Dutchman label. But the impetus for the ensemble's doctrine resides in the expressive 60s era where Coleman, and other like-minded pioneers often ravaged conventional sensibilities of ...

54

Article: Album Review

Equilibrium: Liquid Light

Read "Liquid Light" reviewed by Glenn Astarita


This European trio's third release is abetted by Songlines Recordings' pristine audio processes, which is a vital aspect since many of these tracks are quietly penetrating in scope and designed with ethereal atmospherics. The artists' specialty may lie within an artsy, avant-garde schema via a channel of electro-acoustic tone poems, enamored by Sissel Vera Pettersen's luminous ...

Article: Album Review

Paal Nilssen-Love Large Unit: Erta Ale

Read "Erta Ale" reviewed by Enrico Bettinello


Il batterista norvegese Paal Nilssen-Love è (giustamente) famoso per due cose. Per essere uno dei più straordinari strumentisti della sua generazione e per essere anche uno dei musicisti più attivi nel proporre -e documentare in modo quasi ossessivo-le tante facce della sua intensa attività di improvvisatore. Come molti colleghi, anche Nilssen-Love (che ...

20

Article: Rediscovery

Masqualero: Masqualero

Read "Masqualero: Masqualero" reviewed by John Kelman


MasqualeroMasqualeroOdin1983 Despite plenty of evidence to the contrary, there are still those who think that Norwegian musicians can't play “real jazz" (whatever that is), and that what they do play is something consistently (and erroneously) categorized as “Nordic Cool." Submitted for your approval is today's Rediscovery: the self-titled debut from Masqualero, ...

40

Article: Album Review

Per Zanussi 5: Live in Coimbra

Read "Live in Coimbra" reviewed by Glenn Astarita


Here, Norwegian master bassist Per Zanussi is the leader and director of operations. Recorded live at a Portuguese jazz festival, the three-man reed section weaves mega contrasts and disparate tonalities into the mix with subtle or pronounced variances, contrapuntal phrasings, and sweltering, rough-hewn ostinatos. They embrace Middle Eastern modalities, free bop, funk and other genres via ...

29

Article: Album Review

InterStatic: Arise

Read "Arise" reviewed by Glenn Astarita


UK-reared keyboardist Roy Powell (Mumpbeak, Naked Truth)has called Norway home for several years while serving as a prime motivator for this futuristic UK-based, record label via sideman duties, and co-leading groups such as Interstatic. The band pushes the envelope yet again on this psycho, acid-rock slant on the jazz organ trio format. Nonetheless, the trio ups ...


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