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John Brown: Quiet Time
by Angelo Leonardi
"Le donne odiavano il jazz, non si capisce il motivo" cantava Paolo Conte in un celebre tema, ricordando l'Italia degli anni cinquanta. Oggi il quadro è mutato ma se avete qualche amica o amico (non esiste una specificità femminile in questo) che giudica il jazz “poco melodico" regalategli Quiet Time e cambierà idea. ...
Delta Saxophone Quartet e Gwilym Simcock al Teatro Manzoni di Milano
by Claudio Bonomi
Delta Saxophone Quartet feat. Gwilym Simcock Aperitivo in Concerto Teatro Manzoni Milano -30.11.2014 Ma cosa c'entrano i King Crimson con il jazz? Siamo sinceri, poco o nulla. Se non fosse forse per la fortissima inclinazione all'improvvisazione che il gruppo guidato da Robert Fripp ha sempre avuto sin dalle sue origini ...
Steven Schoenberg: Christmas Reimagined
by C. Michael Bailey
Categorization is an anti-entropic effort to describe similar, but not equal, things for comparative reasons. So was my thinking when I began my review of pianist Steven Schoenberg's recording Steven Schoenberg Live: An Improvisational Journey (Quabbin Records, 2009) with: “Like the face of Helen launching a thousand ships, for better or worse, Keith ...
David Friesen e il Questionario di Proust
by AAJ Staff
All About Jazz: Il tratto principale della mia musica. David Friesen Melodie cantabili e progressioni armoniche inconsuete. AAJ La qualità che desidero nei musicisti che suonano con me. D.F. La capacità di ascoltare. AAJ Come musicista, il momento in cui sono stato più felice. ...
Oscar Peterson, Ben Webster: During This Time
by Maurizio Zerbo
Se qualcuno vi chiede cosa è il jazz, fategli ascoltare questo magnifico set del 1972. Sensuale, vellutato ed intriso di blues, è una magistrale lezione di classe, talento, verve, souplesse esecutiva. Sottraendosi alle prevedibili gabbie della jam session, i due leader offrono controllati spunti solistici volti a condensare in goduriose chases l'essenza del jazz. Grazie all'implacabile ...
Jon Mayer: The Art of the Ballad
by C. Michael Bailey
Jon Mayer not John Mayer. This particular Mayer is a jazz pianist currently living on the West Coast who has been plying his Jazz trade in one form or another since the mid-1950s. Early on, Mayer played on two notable sessions: alto saxophonist Jackie McLean's Strange Blues (Prestige, 1957) and on the John Coltrane sessions recorded ...
Jost Project Performs at Jazz Near You House Concert
by Victor L. Schermer
The Jost Project Jazz Near You Inaugural House Concert Lansdale, PA October 24, 2014 All About Jazz Founder and Publisher Michael Ricci recently innovated a world-wide program to facilitate and co-create musical events in the intimate setting of people's homes where the householders serve as hosts, hiring ...
Introducing Johnny Griffin – Blue Note 1533
by Marc Davis
In jazz and rock--heck, even in classical music--there is a sacred throne for those who play fast. Dizzy Gillespie and Oscar Peterson occupy such thrones. So do Jimmy Page and Eddie Van Halen. Fast is fun. Johnny Griffin played fast--very fast. The evidence is here in Griffin's very first album, Introducing Johnny ...
Larry Fuller: Larry Fuller
by Dan Bilawsky
Bassist Ray Brown sure knew how to pick his pianists. While each player who manned the 88s in Brown's trio displayed a different personality, all had Swiss watch timing and shared an affinity for the blues and effulgent swing. It didn't take more than a few seconds to hear that when Gene Harris was on the ...
Jazz on the Screen: A Jazz and Blues Filmography
by AAJ Staff
This article appears courtesy of David Meeker and the Library of Congress. Learn more about Jazz on Screen. Overview of Jazz on the Screen By David Meeker The cultural, sociological and technical histories of jazz and motion pictures have run in parallel, sometimes intersecting, lines ever since both forms emerged ...
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