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Results for "Oscar Noriega"
Dálava, Gordon Grdina and Mikkel Ploug: Songs Old, and Sounds New
by Mark Werlin
Strangeness--a word that connotes foreignness, otherness, and a sense of unease when confronted by the unfamiliar. The sound of recognizable musical forms may attract us, in the same way we are drawn to familiar faces or voices. The sound of a foreign language may set us on the alert; syllables we do not recognize, meanings we ...
Satoko Fujii Orchestra New York: Fukushima
by Karl Ackermann
Satoko Fujii's Orchestra New York has been together since their 1997 debut South Wind (Leo Lab/Libra). A “super group" by any standards, it has remained largely intact over the course of twenty years, bringing the ensemble to its latest release, Fukushima, a memorial suite. The Fukushima nuclear accident was caused by a major earthquake and a ...
October Revolution in Jazz & Contemporary Music 2017
by Mark Corroto
October Revolution In Jazz & Contemporary Music FringeArts Philadelphia, PA October 5-8, 2017 The main venue for The October Revolution in Jazz & Contemporary Music was FringeArts, a renovated historic pumping station for Philadelphia's fire department located in the shadow of the Benjamin Franklin Bridge. It seats 240 ...
Tim Berne: Incidentals
by Mike Jurkovic
Through three previous releases on ECM, (including the widely hailed 2015 release You've Been Watching Me alto saxophonist Tim Berne's sonic amalgamation Snakeoil has proven itself an often knotty and dissonant band of free creators, making them the perfect vehicle for Berne's often knotty and dissonant musical ideas.But it's mind boggling on many levels ...
Jazz at the Nash Volume 2: Roots in AZ
by Dave Kaufman
This is the second in a series of In Pictures articles on The Nash, a jazz club and educational institution that is at the heart of the Phoenix jazz universe. This article celebrates visiting musicians who have roots in Arizona. Tenor titan Tony Malaby, a native of Tucson, brought his outstanding group Paloma Recio ...
Tim Berne's Snakeoil: Incidentals
by Karl Ackermann
Of the formal Tim Berne groups dating back to his 1990s Caos Totale, only his Bloodcount formation has a larger output than Snakeoil. From its 2012 self-titled ECM debut, four of its five releases have been on the ECM label, with only the limited edition Spare (2015) appearing on Berne's Screwgun imprint. Incidentals continues Berne's experimentation ...
Four New Releases From ECM Records: Vijay Iyer Sextet, Tim Berne's Snakeoil, Gary Peacock Trio, and David Virelles
August 25 Vijay Iyer Sextet Far From Over Vijay Iyer: piano, fender rhodes; Graham Haynes: cornet, flugelhorn, electronics Steve Lehman: alto saxophone; Mark Shim: tenor saxophone; Stephan Crump: double bass Tyshawn Sorey: drums Keyboardist-composer Vijay Iyer’s energized sequence of ECM releases has garnered copious international praise. Yet his fifth for the label since 2014—Far ...
Torino Jazz Festival: le molteplici facce del jazz
by Libero Farnè
Torino Jazz Festival varie sedi 22.04-01.05.2016 Non è facile trovare in Italia manifestazioni jazzistiche paragonabili al Torino Jazz Festival. Il confronto più plausibile è quello con Umbria Jazz. Entrambi i festival infatti sono motivati da un intento promozionale e divulgativo, dalla volontà di far avvicinare a questa musica ...
ECM Records Releases Michael Formanek's "The Distance"
Michael Formanek Ensemble Kolossus is: Loren Stillman (alto saxophone); Oscar Noriega (alto sax, clarinet, bass clarinet); Chris Speed (tenor sax, clarinet); Brian Settles (tenor sax, flute); Tim Berne (baritone sax); Dave Ballou, Ralph Alessi, Shane Endsley (trumpets); Kirk Knuffke (cornet); Alan Ferber, Jacob Garchik, Ben Gerstein (trombones); Jeff Nelson (bass trombone, contrabass trombone); Patricia Brennan (Marimba), ...
ECM @ Winter Jazzfest 2016
by Tyran Grillo
ECM @ Winter Jazzfest ECM Records Stage The New School, Tishman Auditorium New Yor, NY January 15 & 16, 2016 New York City's 2016 Winter Jazzfest Marathon capped off a string of first-week performances. The running theme of the festival was transition, as musicians of all walks ...
