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Orrin Evans' Captain Black Big Band: Mother's Touch
by Jack Bowers
New York-based pianist / composer (and two-time Grammy Award nominee) Orrin Evans served notice with his first big-band album for Posi-Tone Records that there was an impressive new ensemble on the scene, a message that is firmly underscored by the second, the cryptically named Mother's Touch, whose tone and temperament mirror Evans' contemporary point of view. ...
Smoke Sessions: A Threesome from Herring, Jackson, & Hazeltine
by C. Andrew Hovan
With the launch of their own label at the start of 2014, Smoke Jazz Club widened their circle by committing to tape performances by some of New York's finest musicians and dispersing this music via downloads and discs. A decidedly bare bones operation, the in-house production team has done a great job of capturing the ambiance ...
Orrin Evans' Captain Black Big Band: Mother’s Touch
by Dan Bilawsky
The studio-versus-stage argument will forever rage on in music, but it really shouldn't. Each setting has its advantages and disadvantages. The jazz community has forever favored the stage, as many feel that jazz is meant to be experienced and created in the moment, with artist(s) feeding off the room and creating here-and-gone sounds. That preference is ...
Orrin Evans' Captain Black Big Band: Mother's Touch
by Mark Corroto
Nobody does big bands these days. Nobody. Not without institutional support like a university or a foundation. Not unless you are Orrin Evans. The Philadelphia pianist writes and arranges music so appealing, a revolving cast of musicians can't resist playing his music. While we will never see an independent outfit like the Captain Black Big Band, ...
Justin Faulkner: Serving the Music
by Paul Naser
The rare balance of passionate ambition and mature dedication that are the hallmark of young professionals puts them in a category all their own. More often than not they began honing their skills at an early age and it seems as if life conspired to help them succeed. Justin Faulkner, the young drummer for the legendary ...
Donald Edwards: Evolution of An Influenced Mind
by Mark F. Turner
With Evolution of An Influenced Mind , drummer Donald Edwards makes a piercing statement about his percussiveness and musicality. Having gained attention for his craftsmanship on a number of noteworthy Criss Cross dates-- Introducing Opus 5 (2011) and Orrin Evans's excellent It was Beauty (2013)--Edwards's debut on the prolific Dutch jazz label is a cohesive work ...
Donald Edwards: Evolution Of An Influenced Mind
by Andrew Luhn
In recent years, Donald Edwards has become a familiar name in the Criss Cross catalogue. His drumming can be heard on six previous Criss Cross releases, but on Evolution of an Influenced Mind, Edwards makes his debut as a leader. His sensitive and protean drumming has made him a first-call sideman in New York, but this ...
Donald Edwards: Evolution Of An Influenced Mind
by Dan Bilawsky
Donald Edwards is one of those drummers that seem to be taken for granted. He's constantly being called upon to support others, shaping moods and grooves on record for everybody from saxophonist Dayna Stephens to trombonist Conrad Herwig to vocalist Carolyn Leonhart, but he's largely avoided being in the spotlight. He's only released two other leader ...
Vocalist Shakera Jones In Cheltenham Wednesday March 5th
The Jazz Bridge First Wednesdays Neighborhood Concerts Series at the Cheltenham Center for the Arts, 439 Ashbourne Road in Cheltenham PA, presents vocalist Shakera Jones on Wednesday, March 5th. Showtime is 7:30 p.m., tickets are $10/$5 for students, and are only available at the door. For info: 215-517-8337 or visit Jazz Bridge. Shakera Jones has been ...
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