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Ran Blake & Jeanne Lee: The Newest Sound You Never Heard
by Jerome Wilson
Pianist Ran Blake has developed a reputation over the years for recording duets with vocalists, including in recent times, Sara Serpa, Dominique Eade and Christine Correa. That began back in 1961 when he released The Newest Sound Around (RCA), a remarkable set of duets with singer Jeanne Lee. The duo toured together occasionally in subsequent years ...
Joachim Kuhn: Melodic Ornette Coleman: Piano Works XIII
by Karl Ackermann
Reportedly, Ornette Coleman did not have a great affinity for pianists, but it was the instrument--rather than the musicians--that put Coleman off. As an innovator in free jazz, Coleman found the chordal instrument too intrusive and preferred a more sympathetic bass/soloist interaction. Coleman did record with pianists Geri Allen and Paul Bley, but he established a ...
Julian Lage: Love Hurts
by Mario Calvitti
A un anno esatto di distanza dal precedente Modern Lore arriva il nuovo lavoro di Julian Lage, ex enfant prodige della chitarra, che a soli 31 anni può già permettersi di festeggiare quest'anno i 20 anni trascorsi dalla sua prima incisione professionale (un duetto con il mandolinista bluegrass David Grisman nell'album Dawg Duets). Nel frattempo non ...
Friends & Neighbors: What’s Next?
by Alberto Bazzurro
Giunto al suo quarto album (dal 2011), il quintetto norvegese Friends & Neighbors conferma la propria predilezione per un discorso corale, fortemente condiviso, pur aprendo ovviamente i dovuti spazi agli spunti del singolo. Nonostante la presenza del pianoforte (e se vogliamo del sax tenore al posto del contralto), il referente più palpabile appare ...
Wadada Leo Smith: Rosa Parks: Pure Love
by Karl Ackermann
Like several exceptional modern era composers from Ornette Coleman to John Zorn to Tyshawn Sorey, the “jazz" appellation has only anecdotal application to the latter-day calling of Wadada Leo Smith as a composer. On his previous Cuneiform releases Ten Freedom Summers (2012) and America's National Parks (2016), Smith worked with an ear toward confronting injustice and ...
Jason Palmer: Rhyme And Reason
by Roger Farbey
Jazz albums without chordal instruments can sometimes sound arid. But that is decidedly not the case with Jason Palmer's Rhyme And Reason. The members of his quartet fit together organically, and the contrapuntal interplay between the trumpeter and his co-front man, tenorist Mark Turner, is remarkably tight. But the backline too is populated by a taut ...
Jon Lundbom & Big Five Chord: Harder On The Outside
by Mark Corroto
Sometimes a single track can satisfy an album's worth of listening. You get that feeling with “People be Talking," the first song on Jon Lundbom's ninth release with his band Big Five Chord. His quintet packs everything into this kitchen sink composition. The piece is jazz-and-not-jazz, like Miles Davis affected in his transitional years between his ...
Pittsburgh's Jazz Days of Winter Set for February 16-23, 2019
By Mackenzie Horne Dwindling attendance is perhaps the most serious threat to the well-being of today's regional jazz circles, and addressing this issue requires an approach that is as authentic as it is aggressive. Problems with attendance and participation seem to be amplified in a metropolitan area as small as Pittsburgh, and past history ...
James Brandon Lewis: An Unruly Manifesto
by Mark Corroto
The revolution will not be televised. Those words by Gil Scott-Heron from 1970 are more relevant to today's jazz revolution than any time since the mid-1990s, when conservatively-dressed youngsters mimicked the post-bop of the 1960s and were promoted as liberators. More recently, the touted saviors rehash a quasi-spiritual fusion that stands in for à la mode ...
Benjamin Boone & Philip Levine: The Poetry of Jazz Volume Two
by Victor L. Schermer
Poetry and music are overlapping forms of expression. Poetry emphasizes the musicality of words. Music has many features of poetry including sound, syntax, and meaning. Still, only a few poets have spoken their poems in a musical context. It is hard to do effectively because speech and music have different functions: speech is about things, intentions, ...
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