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A Jazz Immuno-Booster: Part 1
by Ludovico Granvassu
We may still be months away from developing vaccines to tame the threat that COVID19 poses to our bodies. But given the centrality of the mind-body connection for our physical well being, we should not forget that we continue to have music to support our minds during these challenging times. So I have reached ...
Clark Sommers: Peninsula
by Mike Jurkovic
You enter the music of Chicago bassist/composer Clark Sommers with wary expectations: In its open-ness anything can happen. Dark perambulations pop against lighter propulsions. Dialogues take on thesis, equation and whimsy. Discourse holds its own parlance, gives definition, then allows for civil caucus. Because Ba(sh), a trio defined only by the elementary concept that 1+1+1=3, converse ...
Aruán Ortiz with Andrew Cyrille and Mauricio Herrera: Inside Rhythmic Falls
by Karl Ackermann
Cuban-born pianist and composer Aruán Ortiz is constantly evolving, experimenting and injecting new elements into his craft. Inside Rhythmic Falls is his third trio album, each with impressive but different lineups. His previous trio release, Live In Zürich (Intakt Records, 2018), with bassist Brad Jones and Chicago Underground mainstay Chad Taylor on drums and mbira, saw ...
JZ Replacement: Disrespectful
by Chris May
Visceralism and virtuosity, the two qualities which define this momentous debut album by JZ Replacement, make an unbeatable combination. They are also a necessary one. Without a degree of virtuosity, eloquence is constrained by lack of vocabulary. Without a degree of visceralism, technical facility is at worst mechanistic, at best purely cerebral. Bring the two qualities ...
Juan Vinuesa Jazz Quartet: Blue Shots From Chicago
by Mark Corroto
Chicago, a city of big shoulders, continues to present proof of poet Carl Sandburg's words from the poem of the same name... “Come and show me another city with lifted head singing so proud to be alive and coarse and strong and cunning." Why is this? Because Chicago in 2020 remains the same as evoked in ...
Eric Alexander: Leap of Faith
by Angelo Leonardi
Eric Alexander è uno dei massimi tenoristi della sua generazione. In oltre quaranta dischi da leader e un centinaio di collaborazioni, ha evidenziato piena adesione al modern mainstream, privilegiando l'esibizione in quartetti o quintetti con la tipica sezione ritmica comprendente un pianista (spesso il suo mentore Harold Mabern) o talvolta un chitarrista (Pat Martino o Peter ...
The Jazz Avant-Garde in the 1960s (1960 - 1966)
by Russell Perry
Nurtured in the seminal recordings of Ornette Coleman and Cecil Taylor in the mid to late 1950s, the jazz avant—garde came into its own in the 1960s with their continuing creations, those of John Coltrane already featured in this program and those of next generation players, Joe Harriott and Albert Ayler. Defining statements of the free ...
John Coltrane Quartet: Impressions: Graz 1962
by Mark Corroto
This live concert is a welcome excuse to go to your happy place. Sixty years after John Coltrane's quartet toured Europe, this radio broadcast with its excellent audio fidelity opens like a capsule. Both a time capsule and a seed capsule, one that continues to pollinate today's music. The year was 1962 and Coltrane ...
Florian Weiss e il Questionario di Proust
by Paolo Peviani
Il tratto principale della mia musica Siamo sempre alla ricerca del cuore della melodia. La qualità che desidero nei musicisti che suonano con me La presenza, in tutti i sensi. Come musicista, il momento in cui sono stato più felice Ogni volta che ...
Results for pages tagged "Ornette Coleman"...
Ornette Coleman
Born:
Early on in his career, alto saxophonist Ornette Coleman, recorded an album entitled, The Shape of Jazz To Come. It might have seemed like an expression of youthful arrogance - Coleman was 29 at the time - but actually, the title was prophetic. Coleman is the creator of a concept of music called "harmolodic," a musical form which is equally applicable as a life philosophy. The richness of harmolodics derives from the unique interaction between the players. Breaking out of the prison bars of rigid meters and conventional harmonic or structural expectations, harmolodic musicians improvise equally together in what Coleman calls compositional improvisation, while always keeping deeply in tune with the flow, direction and needs of their fellow players. In this process, harmony becomes melody becomes harmony. Ornette describes it as "Removing the caste system from sound." On a broader level, harmolodics equates with the freedom to be as you please, as long as you listen to others and work with them to develop your own individual harmony.
