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Results for "Ornette Coleman"
The Rebel Festival
by Karl Ackermann
On the morning of July 4, 1960, there were more than a few signs of the mayhem that had taken place the night before in Newport, Rhode Island. Newport's Millionaires Row woke up to broken store windows, overturned vehicles, and storm drains clogged with garbage and beer bottles. One-hundred-eighty-two people, mostly young, New England college students ...
Steve Cardenas, Cory Weeds, Zoot Sims and More
by Joe Dimino
Neon Jazz continues to focus on the new music coming out during this global pandemic. This week we focus on a Kansas City-native, New York City jazz guitarist Steve Cardenas, who has just released a great new album. We also feature songs from Duchess, Florian Arbenz, Cory Weeds, Steve Slagle and Ambrose Akinmusire. Enjoy the jazz, ...
Antti Lotjonen Quintet East: ALQE
by Friedrich Kunzmann
Bassist Antti Lötjönen is anything but a small name in the Finnish jazz cosmos. Holding down the deep frequency spectrum in some of the country's most renowned instrumental outfits, such as the electronica-infused jazz trio 3TM or the acoustic Ilmiliekki Quartet, Lötjönen has established a cunning reputation as a sideman leading up to this, his debut ...
Rudy Royston: Little Steps, Big Pictures
by Ian Patterson
Everybody needs a helping hand now and then. Rudy Royston understands that. The Covid-19 pandemic has caused gigs to completely dry up for all musicians, and with that, their main income stream. Yet there are still mortgages, rents and bills to pay, and children to feed. It says something about the precarious finances of a jazz ...
Rudy Royston: PaNOptic
by Ian Patterson
Record label bosses probably do not hear the words “solo drum album" too often. Or if they do, judging by the paucity of such exemplars on the market, they likely only have to hear the phrase the once. After three impressive albums on Dave Douglas' Greenleaf Music label, to wit, 303 (2014), Rise of Orion (2016) ...
Quin Kirchner: The Shadows and The Light
by Mark Corroto
Francis Ford Coppola's Vietnam war film, Apocalypse Now, was released in 1979. After sitting for 2 and ½ hours, a viewer might have hoped for theater management to stand at the exits to hand out pamphlets explaining what had just gone down. The conflict had ended 4 years prior, and most war movies, pre- Vietnam, were ...
Rudresh Mahanthappa: Hero Trio
by Emmanuel Di Tommaso
La sedicesima produzione discografica del sassofonista statunitense di origini indiane Rudresh Mahanthappa rappresenta un nuovo capitolo del progetto di fusione fra la musica carnatica dell'India meridionale e la musica occidentale contemporanea che ne ha caratterizzato l'intera carriera artistica fin dagli inizi negli anni Novanta, anticipando un percorso di sperimentazioni e commistioni intrapreso in anni recenti, tra ...
Jorge Roeder: El Suelo Mío
by Mark Corroto
Let's not call it pandemic music. Yes, it is a solo recording, but Jorge Roeder conceived of and recorded El Suelo Mío before this world wide pandemic. The bassist is a member of John Zorn's New Masada Quartet, Ryan Keberle's Catharsis, and Julian Lage's ensembles, to name just a few. He has a sound that is ...
Lift Every Voice And Sing: Twenty #BlackLives Albums That Matter
by Chris May
Jazz has been inextricably linked with social and political protest since at least the late 1930s, when Billie Holiday made famous the leftist songwriter and poet Abel Meeropol's “Strange Fruit." The song, which has a power to move that is undiminished by familiarity, likens the bodies of lynched African Americans to fruit hanging in trees.
Michael Thomas: Event Horizon
by Jerome Wilson
Jimmy Katz seems to really be onto something with his Giant Step Arts label. Begun in 2018, the label has established a tradition of recording live performances by modern jazz musicians given complete freedom of repertoire and personnel. That approach has produced several outstanding releases including, earlier this year, The Concert: 12 Musings For Isabella, (Giant ...
