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Results for "Ornette Coleman"
Albert Ayler: Albert Ayler 1965: Spirits Rejoice & Bells Revisited
by Mark Corroto
Being that 2020 is more than half a century since Albert Ayler (1936-70) recorded this music, the best way to approach might be through what the Zen Buddhists call Shoshin. Roughly translated as “beginner's mind," or the ability to experience things as if for the first time. Since we cannot transport ourselves back to 1965, taking ...
Uptown Jazz Tentet: What's Next
by Jack Bowers
A tentet is a rather strange bird; too large to be labeled a small group, yet too small to be counted as a big band, it resides somewhere near the edges, mapping out its own musical profile. Some may rate that an asset, while others may deem it a mere hybrid, unworthy of their consideration. Wiser ...
I.P.A.: Bashing Mushrooms
by Troy Dostert
Comprised of an impressive roster of Scandinavian all-stars, I.P.A. might only need a better name if the group is to break through to wider notice. Harnessing its commitment to post-bop freedom to thoughtful tunecraft, the band's music is both accessible and tough-edged, cerebral and hard-grooving in equal measure. The quintet's first Cuneiform release, I Just Did ...
Roots Magic: Take Root Among The Stars
by Neri Pollastri
Terzo disco di rivisitazione delle “magiche radici" della musica nera per opera di un quartetto (ma stavolta in due brani si allarga a sestetto) che si è imposto come una delle formazioni più interessanti del nostro jazz. Emblematica la foto interna alla confezione del CD, che ritrae i quattro musicisti attorno alla lapide sulla ...
Marco Rottoli: New Year's Eve
by Mike Jurkovic
Nothing earth shattering, surely, but a very fine listen nonetheless. New Year's Eve, young Italian bassist and composer Marco Rottoli's debut, serves two truly noteworthy goals: First, as a promising warmup to more adventurous things from the trio itself in the future and, secondly, as a good opening ensemble readying you for the evening's anticipated headliner. ...
Josephine Davies: How Can We Wake?
by Friedrich Kunzmann
Straight out of Europe's hippest jazz-scene, London-based saxophonist Josephine Davie's third effort with her trio, Satori, offers a collage of melodic meditations that simultaneously defy and conform to their rhythmic and harmonic frames. As All About Jazz's Chris May very fittingly puts it in an extensive conversation with the saxophonist, unlike many of her ...
Collin Sherman: Arc of a Slow Decline
by Dan McClenaghan
Music is typically a collaborative affair. A given number of players comes together and each takes a part in the shaping of a particular sound. Teamwork is the word. But sometimes a musician just has to go it alone and--in this technological age that allows such things--the recording then collaging and layering of sounds creates an ...
Raphaël Pannier Quartet: Faune
by Dan Bilawsky
The debut from drummer Raphaël Pannier has no difficulty laying out references to modern modes of impressionism and the nature of wildlife implied in its title. Its opener --a ten-minute take on Ornette Coleman's “Lonely Woman" that offers slinky melody, sophisticated coloring, intense upheaval, a bass soliloquy and a return to the shadowy theme--is but the ...
Rahsaan Roland Kirk: An Alternative Top Ten Albums Guaranteed To Bend Your Head
by Chris May
Jazz musicians are rarely called shamanistic but the description fits Rahsaan Roland Kirk precisely. Clad in black leather trousers and heavy duty shades (he was blind from the age of two), a truckload of strange looking horns strung round his neck—two or three of which he often played simultaneously--twisting, shaking and otherwise contorting his body, stamping ...
Diego Urcola Quartet: El Duelo
by Mark Sullivan
The cover of this album shows Diego Urcola (trumpet, flugelhorn) and Paquito D'Rivera (alto saxophone, clarinet) back-to-back, as if about to engage in the titular duel. But the sound is that of two veteran players jointly taking a leap into the unknown. A quartet without piano is an unusual setting for both of them. D'Rivera's liner ...
