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Ramsey Lewis: Life is Good
by Jacob Blickenstaff
Some jazz aficionados might characterize pianist Ramsey Lewis' music as a gateway into more serious jazz, as if popular Lewis albums like The In Crowd (Verve, 1965) were meant to lead novice listeners to saxophonist Ornette Coleman's The Shape of Jazz to Come (Atlantic, 1959). But Lewis' commercial successes should not be viewed as a liability ...
A Different Drummer, Pt. 8: Ustad Zakir Hussain Talks Tabla
by Karl Ackermann
Origins of the Tabla The twin hand drum was developed in its current form about 300 years ago on the Indian subcontinent but the roots of the tabla may date to pre-Muslim, Arabia. The name comes from “tabl," the Arabic word for drum, and temple carvings of tabla-like double-hand drums date to 500 BCE. Tabla is ...
The Space Station Jazz Program
by David Brown
In a time before astronauts and cosmonauts explored the space beyond our planet, jazz musicians were already there. In the '50s reference to space in album titles, graphics and song titles equated the music with the modern. This is still true today as space is a place for exploration in jazz. This week, let's jump around ...
August 2022
by Pat Youngspiel
Binker Golding Dream Like A Dogwood Wild Boy Gearbox Records 2022 A place where folk, gospel and jazz meet in tuneful harmony with each other is a place where the likes of Keith Jarrett and Pat Metheny spent some of the most original and prolific years of their ...
Bobby Bradford and Friends: Stealin' Home: Jackie Robinson Suite
by Chuck Koton
Born in Mississippi in 1934 and raised in Dallas, Texas, cornet master and composer Bobby Bradford knows racism and segregation. When asked if Texas was completely segregated, Bradford said, “If there's a word stronger than 'completely,' that was Texas." In spite of the hate and discrimination of everyday life in the Jim Crow South, Bradford and ...
Wadada Leo Smith: String Quartets Nos. 1-12
by Mark Corroto
Wadada Leo Smith's seven CD boxset String Quartets Nos. 1-12 summons two words, epic and ineffable. The 5½ hours of music chronicle three of his four periods writing for string quartets from 1965 until 2019. The remaining work, “String Quartets Nos. 13, 14, and 15" inspired by the 13th, 14th, and 15th Amendments to the US ...
Festival International de Jazz de Montréal 2022
by Mark Sullivan
Various Venues Festival International de Jazz de Montréal Montréal, Canada June 30-July 4, 2022 Like everything else, the Covid-19 pandemic stopped the Festival International de Jazz de Montréal in its tracks. Forced to cancel the 2020 festival, they instead presented a four-day virtual festival online on June 27-30. Another abbreviated ...
Kind Folk: Head Towards The Center
by Jerome Wilson
Kind Folk is a quartet consisting of trumpeter John Raymond, alto saxophonist Alex LoRe, bassist Noam Wiesenberg and drummer Colin Stranahan. They recorded their first album in 2018, then went their separate ways for various reasons. They finally reconnected in June 2021 and came up with the simmering blend of jazz, rock and folk sensibilities that ...
Caleb Wheeler Curtis: Heatmap
by Paul Rauch
It is mostly troublesome to make blanket assertions about jazz and the musicians that facilitate the art form. Such assertions are subjective at best, yet it would not seem unreasonable to assert that Caleb Wheeler Curtis is one of the more interesting alto saxophonists to emerge since 2000. His playing has a radiant, vocal quality to ...
Wadada Leo Smith: String Quartets Nos. 1-12
by Karl Ackermann
In the thirty-page booklet that accompanies Wadada Leo Smith's String Quartets Nos. 1-12, the trumpeter & composer devotes a few paragraphs to the subject of inspiration. He traces an irregular line whose points include Claude Debussy, Dmitri Shostakovich, Muddy Waters, Ornette Coleman, and others. But those diverse artists, who came and went before Smith, have no ...
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