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100nka and Herb Robertson: Superdesert
by Robert Iannapollo
Herb Robertson has to be one of the most intrepid trumpeters around. He seems to be most willing to put himself in anomalous situations: the two-trumpet group he shares with Dave Ballou (MacroQuarktet), work as a sideman in various groups, membership in ad hoc assemblies like a trio with Evan Parker and Agustí Fernández or guesting ...
Alone, Again (Naturally): Peter Brotzmann, Olaf Rupp, Henry Kaiser, John Butcher, Woody Sullender and Frank Rosaly
by Clifford Allen
For this writer, solo playing and solo concerts have a special place. A few years before I began writing about jazz, and while living in New York at the beginning of the 2000s, I ran into the late violinist Leroy Jenkins in the East Village. I didn't know him personally, but he was instantly recognizable, and ...
Mostly Other People Do the Killing: Forty Fort
by Dan McClenaghan
Irreverent devils, aren't they, these four guys who make up the piano-less quartet called Mostly Other People Do the Killing (MOPDtK)? This is Our Moosic (Hot Cup Records, 2008) was a play on Ornette Coleman's This Is Our Music (Atlantic, 1960) in title and with the cover photo and design. Forty Fort sports a cover laid ...
Joe McPhee: Alto
by Lyn Horton
It takes a certain amount of confidence for a musician to stand alone on a stage or in a recording studio and play an instrument. One of the few masters of jazz reed instruments, Joe McPhee still proceeds to make music as if for the first time. He is a master of the instruments he plays ...
Town Hall 1962
Label: ESP-Disk
Released: 2009
Track listing: Doughnut; Sadness; Dedication to Poets and Writers; The Ark.
The Nice Guy Trio: Here Comes the Nice Guy Trio
by Dr. Judith Schlesinger
It's obvious just from this trio's composition--trumpet, accordion, and bass--that something new is going on. It's also clear that to fully appreciate this boundary-busting CD, you must let go of your usual musical signposts. Even a taste for the wildest of free jazz won't prepare you for this music, since it's far too thoughtfully conceived and ...
Empty Cage Quartet: Gravity
by Troy Collins
Widely admired for its intricate mathematical construction, the Mayan calendar is far more than just a lightning rod for misguided prophets predicting the end of the world; it is also the source of inspiration for Gravity, the fourth studio recording from the young West Coast-based Empty Cage Quartet. The album consists of two extended compositions, which ...
Jon Lundbom & Big Five Chord: Accomplish Jazz
by Mark Corroto
In the jazz world, there is something in the air. Barely detectable, but definitely something in the air these days. A whiff of change (or maybe the decay of traditions decomposing). It can be heard in the music the young lions (YL) are playing. These YLs are more like the Lee Morgan/Wayne Shorter YLs of the ...
The 6th Penang Island Jazz Festival: December 3-6, 2009
by Ian Patterson
The 6th Penang Island Jazz Festival Bayview Beach Resort Penang, Malaysia December 3-6, 2009 Happy birthday to the Penang Island Jazz Festival, six years old this year! Six years may not seem like a lot, but in small jazz festival terms it probably means that the difficult initial ...
Oscar Feldman: Oscar e Familia
by Raul d'Gama Rose
Oscar Feldman is ready, with Oscar e Familia, to put his own stamp on the alto saxophone. Not since the fire of Jackie McLean, the cool breeze of Lee Konitz, Eric Dolphy's rhythmic advances, Ornette Coleman's Harmolodic theories, and Steve Coleman's mBase concepts, has someone attempted to create a new language for that instrument. True, Charlie ...
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