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Miguel Zenon: Alma Adentro: The Puerto Rican Songbook
by Dan McClenaghan
The cover photo on alto saxophonist Miguel Zenón's Alma Adentro: The Puerto Rican Songbook is of two people dancing in the middle of a boulevard. They are nicely dressed. The man's coat tail flies and their dance clasp is a passionate embrace, suggestive of a romantic yearning hitched to the side of a good time, a ...
Deep Blue Organ Trio: Wonderful!
by Dan Bilawsky
When it came time for the SFJAZZ Collective to choose a composer to honor in their eighth season, they surprised a lot of people when they went with the one and only Stevie Wonder. While some likely view this decision as a statement that, after covering Ornette Coleman, John Coltrane, Thelonious Monk, Wayne Shorter, McCoy Tyner, ...
Take Five With Torben Waldorff
by AAJ Staff
Meet Torben Waldorff: Born and raised in Denmark. Went to Berklee for four years. Have two CDs out on Swedish label LJ-Records. Signed with ArtistShare in New York 2006, with three CDs out--Brilliance, Afterburn and American Rock Beauty, all with saxophonist Donny McCaslin, a friend from the Berklee days, plus drummer Jon Wikan and ...
Take Five With Simone Gubbiotti
by AAJ Staff
Meet Simone Gubbiotti: Played and recorded with Joe LaBarbera, Darek Oles, Marco Panascia, Sid Jacobs, Tim Welvaars. Coming up next album with Peter Erskine on drums and Oles on bass. Instrument(s): Guitar. Teachers and/or influences? Joe Diorio, Sid Jacobs, Wes Montgomery, John Coltrane, Wayne Shorter... and ...
Ornette Coleman: Change Of The Century
by C. Michael Bailey
Ornette ColemanChange Of The CenturyAtlantic1959 Change Of The Century was an audacious album title, to say the least. On his second Atlantic release--and second with his most like-minded ensemble (trumpeter Don Cherry, bassist Charlie Haden and drummer Billy Higgins)--alto saxophonist Ornette Coleman pushed the freedom principal farther. At ...
Modern Jazz Quartet: The Complete Atlantic Studio Recordings 1956-64
by Eugene Holley, Jr.
The Modern Jazz Quartet The Complete Atlantic Studio Recordings of The Modern Jazz Quartet 1956-64 Mosaic Records 2011 They were diverse in talent and temperament. John Lewis, the quiet and determined westerner, who told sound stories with his linear and logical blues-based pianisms; Milt “Bags" Jackson, the baggy eyed, Motor ...
Ahmad Jamal's Identity Crisis
by Fradley Garner
Ahmad Jamal's Identity CrisisAhmad Jamal aterrorist? Surely not the renowned American pianist who's given hundreds of concerts over the last half century. So it was puzzling why the $10,000 that the Festival da Jazz in Moritz, Switzerland ordered paid to Jamal in advance of his July 16 appearance, was promptly frozen by U.S. authorities. ...
Ornette Coleman: The Shape Of Jazz To Come
by C. Michael Bailey
Ornette ColemanThe Shape Of Jazz To ComeAtlantic1959 Ornette Coleman's Contemporary Records releases Something Else!!!! (1958) and Tomorrow Is The Question! (1959) documented the alto saxophonist's development from the last vestiges of bebop toward a harmonically freer jazz language. Coleman's album titles became more prophetic as they were ...
Modern Jazz Quartet: The Complete Atlantic Studio Recordings 1956-64
by John Kelman
Even now, nearly sixty years later, it seems improbable that a group which came together as the rhythm section for one of the hottest players in bebop's genesis era, trumpeter Dizzy Gillespie, could morph into a standalone group that was the epitome of grace, elegance and cool dignity. But that's exactly what happened when Gillespie recruited ...
Boom Box: Jazz
by Henry Smith
Free jazz can have some fairly antisocial connotations. Too often, the term raises an undeserved fear in the uninitiated, as freedom can be scary. That hardly necessitates that it lack beauty, lyricism or intimacy, however; it simply means that those traits are arrived at by organic means rather than controlled ones. Few artists ...


