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Fred Hersch Trio: Alive at the Vanguard
by Dan McClenaghan
Pianist Fred Hersch has found a place to come alive: The Village Vanguard, where so many great live albums have been recorded. Saxophonists John Coltrane and Sonny Rollins, pianist Bill Evans and drummer Paul Motian also found the New York City venue a prime spot for live recordings. Hersch revisits the venue with Alive the the ...
Jessica Jones & Mark Taylor: Live at the Freight
by Jeff Dayton-Johnson
Live at the Freight chronicles a June 2011 date at the venerable Freight & Salvage coffeehouse in Berkeley, California, co-led by tenor saxophonist Jessica Jones and French horn and mellophone player Mark Taylor. The compositions, all originals and mostly quite good, are split between the two leaders.The first slightly unusual twist to the quartet ...
Miles Okazaki: Cleaning the Mirror
by Daniel Lehner
In the backyard of his home in Prospect Park, Brooklyn, guitarist Miles Okazaki has spent time constructing a multifaceted backyard/garden filled with overhanging plants, stone walkways and a wooden pavilion surrounding a table and benches. The slats of the pavilion's floor seem to have been crafted merely for aesthetic purposes, but there's another process at work: ...
Phil Grenadier / Bruno Raberg Duo: Plunge
by Dan Bilawsky
Two men are responsible for every sound heard on the avant-leaning Plunge, but this record shouldn't be mistaken for a naked, take-me-as-I-am duo date. Bassist Bruno Råberg and trumpeter Phil Grenadier take full advantage of technology to create piquant aural landscapes that expand and expound on the very nature of man-to-man dialogue. This ...
The Grand Canyon
by Mark Corroto
Flying over the Grand Canyon on your way to Las Vegas is one way to see that huge gash in the earth, and standing on the banks of the Colorado River is another. From one perspective depth cannot be appreciated, from the other the enormity of it all. Such is the case with modern improvised music. ...
Chris Potter: The Personal Stamp
by R.J. DeLuke
Chris Potter is one of the most visible saxophonists on the scene in recent years. There are reasons for that. Not only does he have incredible chops, inner drive, intensity and the impulse to always be creative--as if that's not enough--he can fit into any musical situation and find a way to contribute. Coming ...
Montreal Jazz Festival: Montreal, Canada, June 28-July 7, 2012
by Greg Thomas
Festival International de Jazz de MontréalMontréal, CanadaJune 28-July 7, 2012From the time of the airplane's descent to the airport in Montréal, I knew something was different and perhaps special about this place. Instead of a square or rectangular grid style of suburban housing plots, from my window I saw circular formations of housing, ...
Pat Metheny Unity Band: Kennett Square, PA, August 9, 2012
by Troy Collins
Pat Metheny Unity BandLongwood GardensKennett Square, PennsylvaniaAugust 9, 2012Over the past few years Longwood Gardens, a horticultural conservancy located in Southeastern Pennsylvania, has hosted a wide variety of international musical talent. Situated in a wooded area of Kennett Square, the conservancy offers multiple performance venues in a beautiful, bucolic setting conveniently ...
Phil Grenadier / Bruno Raberg Duo: Plunge
by Chris Mosey
The inspiration for this album was saxophonist Ornette Coleman's “Lonely Woman." It gave Swedish bassist, Bruno Råberg, what he calls an “aural vision": “I 'heard' a rich, erratic, and busy soundscape in which the beautiful melody would live. I saw images of desolate streets and a lonely person's inner turmoil, conflicting emotions and despair."
Pat Metheny: Pulling It All Together
by Lawrence Peryer
As the 1970s came to a close, guitarist Pat Metheny was riding high on a wave of well-received albums, from his self-named Group and Trio and as a contributor to works by vibraphonist Gary Burton, bassist Jaco Pastorius and others. In 1980, he went somewhere else entirely and recorded what has come to be regarded as ...
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