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John McNeil: Hush Point
by Dave Wayne
Anyone who has played music with others on a regular basis understands inherently that, during a live performance, the sounds emanating from the instruments themselves have a way of clashing or canceling each other out. It's all in the frequencies. Bass and toms get mixed up on the low end, cymbals can kill a clarinet or ...
Michel Delville: Guitar, Improv & Electro
by Jean-Pierre Goffin
Besides teaching at the University of Liège, Michel Delville is widely regarded as one of the most original musicians and composers of the current jazz, rock and jazz-rock scenes. His latest offering, Machine Mass' INTI (2014), recorded with Dave Liebman and Tony Bianco, has just been released by New-York-based label MoonJune Records. Michel Delville: ...
Matt Wilson Quartet + John Medeski: Gathering Call
by Carlo Wolff
Drummer Matt Wilson is certainly mercurial. Not only can he be found playing in all manner and format, working with everyone from Myra Melford to John Zorn to Elvis Costello, he regularly leads two quartets: Arts & Crafts, and this one, featuring roiling windman Jeff Lederer, cornetist Kirk Knuffke} and bassist Chris Lightcap. Augmented here by ...
Elton Dean / Paul Dunmall / Paul Rogers / Tony Bianco: Remembrance
by John Sharpe
English saxophonist Elton Dean has inspired several memorials since his untimely demise in 2006. But there is always space for another when it is as vital as Remembrance, a two CD set from 2004 issued by the Lithuanian NoBusiness imprint. Best known for his seminal work with the jazz rock pioneers Soft Machine, Dean also amassed ...
Jazz Quanta: January
by C. Michael Bailey
The beauty of having written for All About Jazz since the early years is that I was given one of the first personal columns, “Bailey's Bundles," as named by publisher Michael Ricci. I have used it mostly for thematically-based multiple record reviews, then my end-of-the-year lists. As the years sped on, I began to concentrate on ...
E. Taylor Atkins: Let's Call This... Our Jazz?
by Ian Patterson
African-American vernacular or universal language? Symbol of freedom and equality, or one of nationalist ideals and bourgeois elitism? Folk music or high art? Jazz, since its earliest days, has represented many things to many people. For Professor E. Taylor Atkins, such binary ways of thinking rather over-simplify the arguments. Whereas an either or way of thinking ...
The New NEA Jazz Masters: Anthony Braxton
There has been disagreement for more than forty years about whether the saxophonist, composer and sometime pianist Anthony Braxton is a jazz musician. With many others, he long insisted that the music he wrote and played was not jazz, but in 1993 he told author Cole Gagne, “...even though I have been saying I’m not a ...
John Hollenbeck: profilo di artista
by Angelo Leonardi
Lo scorso mese di agosto il 61° critics poll di Down Beat ha votato John Hollenbeck al primo posto tra gli arrangiatori emergenti, riproponendo valutazioni già espresse in passato (Rising Star Arranger nel 2012 e Rising Star Big Band nel 2011). È il doveroso riconoscimento a uno degli artisti più originali del jazz statunitense ma non ...
Brian McCarthy: This Just In
by Hrayr Attarian
Jazz is not the first thing that comes to mind when thinking of Vermont but the state, despite its size, has had a long involvement with improvised music. Trumpeters Alan Shorter and Bill Dixon taught at Bennington College and guitarist Attila Zoller founded the Vermont Jazz Center in Brattleboro. In addition to having a small yet ...
Brian Carpenter: In Between The Cracks
by DanMichael Reyes
To write that Brian Carpenter has had an interesting career would be an incomplete statement since he holds so many. By day Carpenter is an engineer, but there's also his radio shows, his acting career, a film he's working on about Albert Ayler, his band Brian Carpenter and the Confessions where he sings and composes, and ...
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