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Results for "Ornette Coleman"
Noah Preminger: Pivot: Live at the 55 Bar
by Dave Wayne
In a decidedly bold move, young tenor saxophonist Noah Preminger's first self-released album, Pivot: Live at the 55 Bar, consists of two 30-minute-plus tracks; both interpretations of tunes by bluesman Bukka White. The result? A white-knuckle modern jazz thrill ride and possibly the fastest hour you'll spend in front of the stereo this year. Listening to ...
Noah Preminger: Pivot: Live At The 55 Bar
by Mark Corroto
With few exceptions, there has always been a disconnect between live performance and recorded jazz. They are almost two worlds divorced from each other. Sure, listening to an LP of Sonny Rollins or Bill Evans captured at the Village Vanguard has a historic aura about it, but capturing that moment in time is nearly unachievable. Nothing ...
Geof Bradfield: Our Roots
by Mark Corroto
Without the blues, there would be no jazz, and arguably, no rock-and-roll. Think about it, if there were no rock-and-roll, Mick Jagger and Keith Richards, who stole every American blues lick they could find in the 1960s, would have had to get real jobs. Jazz musicians suffer no illusions that their music wasn't born ...
Ornette Coleman Tribute at Blue Note NYC
by Tyran Grillo
Dave Liebman & Friends Blue Note New York, NY June 23, 2015 It's not often one can claim a musician to have redefined the jazz landscape, but that's exactly what saxophonist Dave Liebman said of the late Ornette Coleman (1930-2015), subject of a spontaneous tribute at the Blue Note in ...
Philadelphia's Cutting Edge Big Band: Bobby Zankel's Warriors of the Wonderful Sound
by Victor L. Schermer
Anyone familiar with the music business can tell you that it's hard enough to get a big band together for an occasional gig, let alone sustain it over an extended period of time. The time and effort involved in composing and arranging new charts, covering the cost of twelve or more musicians, and meshing their complicated ...
Rodrigo Amado: This Is Our Language
by Mark Corroto
It was only a matter of time before this session was to be. Portuguese tenor saxophonist Rodrigo Amado had, for years, been gaining the attention of American players, and recording his Motion Trio with guests such as Peter Evans and Jeb Bishop. When he conceived of this quartet, it was hand-in-the-glove fit. The title, ...
BGO Records: Excellence in Jazz Reissues
by Jakob Baekgaard
In the digital age we live in, there is no doubt that the business of reissuing music is booming. It has never been easier to get music, old and new, in digital or physical form. However, one thing is to re-release a record; another thing is to do it the right way. BGO Records, run by ...
John Schott: Actual Trio
by Glenn Astarita
San Francisco Bay Area guitarist John Schott presents the debut recording of his long-running jazz trio, and third album for New York City-based producer, composer and saxophonist John Zorn's Tzadik record label. As expected, Schott doesn't solely adhere to the tried and true within the jazz guitar trio format. It's not too radical, but not an ...
Nick Mazzarella Trio: Ultraviolet
by Mark Corroto
Nick Mazzarella's first trio recording Aviary in 2009, clocked in at just 30 minutes. Although brief, the compelling force of the saxophonist's presence signaled a new unblemished voice in jazz. He has gone on to become a strong presence in the Chicago jazz scene, performing with Ken Vandermark (Audio One & Chicago Reed Quartet), Rob Mazurek (Exploding ...
Sam Taylor: My Future Just Passed
by Dan Bilawsky
In jazz, whether right or wrong, instrumentation carries associations. If you put saxophone, trumpet, bass, and drums together, a portion of jazz fans will automatically think of Ornette Coleman before they hear a note; if you bring together clarinet, vibraphone, piano, and drums, many listeners will immediately move toward Benny Goodman; and if you build a ...


