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17

Article: Album Review

Ralph Towner / John Abercrombie: Five Years Later

Read "Five Years Later" reviewed by John Kelman


The long overdue release of Ralph Towner and John Abercrombie's Five Years Later, originally released in 1982, may well be the most eagerly anticipated of the Re:Solutions series that brings into print--on CD (four titles for the first time, Five Years Later previously only available for a limited time in Japan), vinyl and high resolution digital ...

8

Article: Album Review

The Ocular Concern: Sister Cities

Read "Sister Cities" reviewed by Glenn Astarita


Sister Cities is entrancingly concocted by this Portland, OR. band led by keyboardist Andrew Oliver and guitarist Dan Duval. The primary focal point is the five-part “Sister Cities Suite," abetted by a three-piece strings section, where the musicians frame the inspiring factors of a globalized 21st century, somehow affiliated with, or corresponding to the names of ...

3

Article: Album Review

Itamar Erez & Yshai Afterman: New Dawn

Read "New Dawn" reviewed by Eyal Hareuveni


Israeli guitarist-pianist Itamar Erez, member of American- Turkish Sufi multi-instrumentalist Omar Faruk Tekbilek band, revisits some of his best compositions in an intimate setting in his album New Dawn, a duo with fellow Israeli percussionist Yshai Afterman, a disciple of master Israeli percussionist Zohar Fresco. Tough Erez is the composer of all the pieces, except Afterman ...

15

Article: Album Review

Ralph Towner / Wolfgang Muthspiel / Slava Grigoryan: Travel Guide

Read "Travel Guide" reviewed by John Kelman


Following an early series of ensemble releases for ECM (the label he's called home as a leader since 1973), Ralph Towner ushered in the new millennium by focusing on solo explorations with Anthem (2001) and Time Line (2006). Not that there's anything wrong with that, but after classic records like Solstice (1975) and Batik (1978), there ...

6

Article: Interview

Joe Manis: Killin'!

Read "Joe Manis: Killin'!" reviewed by George Colligan


[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]Sometime last year, I got an email from a dude named Joe Manis, who said he was from Eugene and he wanted me to make a recording with him. He wanted me to play organ. I said to myself," Hmmm. Tenor player ...

8

Article: Extended Analysis

Trilok Gurtu: Spellbound

Read "Trilok Gurtu: Spellbound" reviewed by John Kelman


In a 35-year career that's stretched from Oregon and saxophonists Jan Garbarek and Charlie Mariano, to violinist Shankar and guitarists John McLaughlin and Nguyên Lê, Trilok Gurtu has established a very specific talent. Few kit drummers are as adept as Gurtu on tabla and the Indian konnakol vocal percussion tradition; conversely, few tablaists/konnakol experts are as ...

3

Article: Album Review

Kin Trio: Breathe

Read "Breathe" reviewed by Jeff Dayton-Johnson


The Kin Trio--saxophonist Sunjae Lee, bassist Andre St. James, drummer Tim DuRoche--call what they do “minimalist bebop." An apparent oxymoron, given that bebop has such maximalist tendencies (exhibit A is trumpeter Dizzy Gillespie's dizzying “Bebop"). They don't mean to be taken so literally, of course. The Kin-men have ably absorbed the sparer offshoots ...

4

Article: Album Review

Rich Halley 4: Crossing the Passes

Read "Crossing the Passes" reviewed by Hrayr Attarian


Saxophonist Rich Halley has always had a thick, brassy tone and a bold and daring improvisational approach. Over the years a certain contemplative wisdom has permeated his music enhancing its intellectual edge without tempering its fiery zeal. The result, as demonstrated on Crossing The Passes is a sublime balance of the cerebral and visceral.On ...

6

Article: Album Review

Pierluigi Balducci: Blue from Heaven

Read "Blue from Heaven" reviewed by John Kelman


Traveling the world from South Africa to Svalbard, a harsh truth is revealed: despite challenges facing recorded music--and, paradoxically, the sheer volume being released--an increasing number of musicians deserving broader recognition are unable to transcend their native countries. Hiring internationally renowned players might seem a good tactic, but the result too often reflects exactly what it ...

3

Article: Album Review

Rich Halley 4: Crossing the Passes

Read "Crossing the Passes" reviewed by Dan McClenaghan


Tenor saxophonist Rich Halley kicked his recording career into high gear in 2001 with the flammable Coyotes in the City (Louie Records, 2001), a chunk of free jazz ferocious enough to scare off the feeble and the weak of heart. In a succession of CDs since then--a total of four at Louie Records before switching to ...


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