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5

Article: Album Review

Autobahn: Of the Tree

Read "Of the Tree" reviewed by Dan McClenaghan


A jazz trio named Autobahn, from Toronto, Canada, with an unusual make-up--piano, sax and drums--is just asking to called “experimental" on their modernistic recording, Of The Tree. And why not? Eliminating the bass (the obvious missing link) makes for new atmospheres, and creates new spaces. Looking for comparisons, Momentum Space (Verve Records, 1999), a masterpiece of ...

3

Article: Album Review

Alex Goodman: Border Crossing

Read "Border Crossing" reviewed by Dan Bilawsky


Border Crossing was born of guitarist Alex Goodman's careful cogitation concerning his move from Canada to New York. It's a beautifully contemplative bridge-builder of an album, bringing together musicians from both realms and connecting classically-oriented ideals, jazz language, and modern thought into a seamless whole. In soaking in the seven tracks presented here, ...

8

Article: Album Review

Rich Brown: Abeng

Read "Abeng" reviewed by Dave Wayne


In jazz, it's all about the company you keep. The press accompanying bass virtuoso Rich Brown's third album, Abeng, specifically calls out Roy Ayers and Weather Report as musical reference points. And while there's a breath of Ayers' silky R&B feel to the slinky “Promessa," and though Brown's use of his fretless electric bass as a ...

8

Article: Album Review

Pram Trio: Saga Thirteen

Read "Saga Thirteen" reviewed by Dan Bilawsky


To the casual observer, a perambulator--pram, for short--is simply what it appears to be: a baby carriage. But to the pram's inhabitant(s), it's something else entirely. To those wee babies, the carriage is, in fact, a world in motion and a home away from home that serves as a vehicle for travel to new realms. They ...

9

Article: Album Review

Allison Au Quartet: Forest Grove

Read "Forest Grove" reviewed by Dave Wayne


The sheer number of great young jazz musicians coming out of every corner of the world is simply staggering. Allison Au is an alto saxophonist from Toronto, Ontario, Canada whose debut album, The Sky Was Pale Blue, Then Grey (Self-Produced, 2014) was nominated for a Juno Award: Canada's equivalent of a Grammy nomination. Her new album, ...

6

Article: Album Review

Daniel Fortin: Brinks

Read "Brinks" reviewed by Dave Wayne


Toronto-based bassist Daniel Fortin is best known for his work in MYRIAD3, a dynamic, forward-looking piano trio whose work superficially resembles that of The Bad Plus and the Esbjörn Svensson Trio in that they're young guys in a piano trio who don't play jazz the way most piano trios play jazz. Fortin's solo debut, Brinks is ...

4

Article: Album Review

Bret Higgins' Atlas Revolt: Bret Higgins' Atlas Revolt

Read "Bret Higgins' Atlas Revolt" reviewed by Glenn Astarita


Canadian bassist Bret Higgins' Atlas Revolt ensemble celebrates its inaugural outing on composer, multi-instrumentalist and producer John Zorn's diverse and far-reaching Tzadik record label. Consequently, Higgins is a member of the Canadian band Zebrina --cited as bringing “Jewish music into the 21st century" --and features venerable American clarinetist Ben Goldberg on the 2014 Tzadik release Hamidbar ...

8

Article: Album Review

Bret Higgins' Atlas Revolt: Bret Higgins' Atlas Revolt

Read "Bret Higgins' Atlas Revolt" reviewed by Dan Bilawsky


The eponymous debut from Toronto-based bassist Bret Higgins' Atlas Revolt is a tough one to pin down and an easy one to get pleasantly lost in. Higgins regularly walks through different musical worlds, working with the folk-rock outfit Great Lake Swimmers, the Balkan-klezmer band Beyond The Pale, the folk-ish Ozere, and the trippy ...

2

Article: Album Review

Jerry Granelli: What I Hear Now

Read "What I Hear Now" reviewed by Dan McClenaghan


The simple answer to the question that drummer Jerry Granelli poses on What I Hear Now is “horns." He hears horns over the foundation of his regular trio with saxophonist Dani Oore and bassist Simon Fisk who uses the 3 string bassetto here. The mix is three reeds, including tenor saxophonist Mike Murley, joined by a ...

3

Article: Album Review

Jerry Granelli: What I Hear Now

Read "What I Hear Now" reviewed by Dan Bilawsky


This is what master drummer Jerry Granelli hears now: a wide variety of left-of-center music that circumvents strict harmonic corralling, thanks to the absence of guitar or piano, and makes good use of multiple horns. Of course, if you catch Granelli a few months down the road, he might hear something completely different. ...


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