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Lauren Bush: All My Treasures
by Dan McClenaghan
Toronto-bred and now London-based Lauren Bush introduces herself --on her debut, All My Treasures--as a traditional, vivacious, and supremely confident vocalist, in the mode of Ella Fitzgerald or Anita O'Day. And the tunes she calls her treasures are mostly from the familiar end of the Great American Songbook spectrum. The voice is sassy/brassy, horn ...
Shirantha Beddage: Momentum
by Dave Wayne
The fact that Momentum is only Shirantha Beddage's third album as a leader since 2007 suggests that he's either putting a lot of thought into his music, or that he has a lot of other stuff going on. One thing he has going on is composing music for the FX television series Fargo. Still, it's kind ...
Autobahn: Of the Tree
by Dave Wayne
Not to be confused with the band of the same name from The Big Lebowski (or the similarly-named British indie- rock / emo band, for that matter) this Autobahn is a trio of jolly Canadians who play 21st Century jazz. Not “swinging" jazz in the traditional Blue Note sense, the music of this bass-free trio of ...
Eric St-Laurent: Planet
by Dan Bilawsky
Given the fact that guitarist Eric St-Laurent pulls from many different places and styles in his work, it's tempting to consider him a musical polyglot. The truth, however, is that he really only speaks a single language--his own, which just so happens to be influenced and informed by everything from Afro-Cuban grooves to bebop lines, classical ...
Shirantha Beddage: Momentum
by Franz A. Matzner
The baritone sax is an underutilized part of the jazz arsenal, at least as a lead, soloist instrument. Its deep sonority tends to tilt its use either toward ensemble settings or the cooler styles of soloist work, following the trajectory of Gerry Mulligan's early innovations on the instrument. With Momentum, Canadian composer and multi-instrumentalist Shirantha Beddage ...
Andrew McAnsh: Illustrations
by Dave Wayne
Its liner notes, song titles, and cover art liberally peppered with references to Japanese culture and Zen Buddhism, Andrew McAnsh's debut recording, Illustrations was inspired by the young trumpeter / composer's journeys through the Land of the Rising Sun. However, McAnsh's original compositions--far from displaying any direct influences of Japanese ethnic music--are relentlessly hard-hitting modern jazz ...
Autobahn: Of the Tree
by Dan McClenaghan
A jazz trio named Autobahn, from Toronto, Canada, with an unusual make-up--piano, sax and drums--is just asking to called “experimental" on their modernistic recording, Of The Tree. And why not? Eliminating the bass (the obvious missing link) makes for new atmospheres, and creates new spaces. Looking for comparisons, Momentum Space (Verve Records, 1999), a masterpiece of ...
Alex Goodman: Border Crossing
by Dan Bilawsky
Border Crossing was born of guitarist Alex Goodman's careful cogitation concerning his move from Canada to New York. It's a beautifully contemplative bridge-builder of an album, bringing together musicians from both realms and connecting classically-oriented ideals, jazz language, and modern thought into a seamless whole. In soaking in the seven tracks presented here, ...
Rich Brown: Abeng
by Dave Wayne
In jazz, it's all about the company you keep. The press accompanying bass virtuoso Rich Brown's third album, Abeng, specifically calls out Roy Ayers and Weather Report as musical reference points. And while there's a breath of Ayers' silky R&B feel to the slinky “Promessa," and though Brown's use of his fretless electric bass as a ...
Pram Trio: Saga Thirteen
by Dan Bilawsky
To the casual observer, a perambulator--pram, for short--is simply what it appears to be: a baby carriage. But to the pram's inhabitant(s), it's something else entirely. To those wee babies, the carriage is, in fact, a world in motion and a home away from home that serves as a vehicle for travel to new realms. They ...
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