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Theo Saunders Sextet: San Diego, CA, July 5, 2011
by Robert Bush
Theo Saunders Sextet Saville Theatre, San Diego City College San Diego, CA July 5, 2011 Pianist Theo Saunders has an incredible resume. Growing up in NYC, he played with Pharoah Sanders in the 1960s, and in 1971 (at age 24), at the Village Vanguard with the likes of Jimmy Garrison ...
STLJN Audio Archive: Oliver Nelson - Black, Brown and Beautiful
This week's StLJN Audio Archive post comes once again via the Flying Dutchman blog, which has preserved most of the output of that once vibrant, now defunct jazz imprint of the 1960s and 1970s. Saxophonist, arranger/composer and St. Louis native Oliver Nelson made a number of albums for Flying Dutchman, and today we feature Black, Brown ...
Jason Robinson Janus Ensemble: San Diego, CA, June 2, 2011
by Robert Bush
Jason Robinson Janus EnsembleDizzy'sSan Diego, CA June 2, 2011 Saxophonist/composer Jason Robinson--whose dual release of The Two Faces Of Janus (Cuneiform, 2010), and Cerulean Landscape (Clean Feed, 2010), put him on the map of wider recognition--finally made his impending departure from San Diego official with this farewell concert, held at ...
Student Ensemble and Martial Solal: Philadelphia, April 9, 2011
by Victor L. Schermer
Berklee Global Jazz Institute/ Boyer College of Music and Dance, Temple University Martial Solal Perelman Theater,Kimmel Center for the Performing Arts,Philadelphia, PAApril 9, 2011 This was the final concert of the 2010-2011 season of the popular Jazz Up Close series, celebrating the legendary Thelonious Monk, organized by pianist/curator Danilo ...
The Back-Talk Organ Trio at Le Petit Chicago
by Mark Sabbatini
Don Cummings is a glacial geologist by day, making the Canadian's night job as a jazz organist of considerable interest to a reviewer who can (really) see the flowing masses of ice from the back yard. On the other hand, Cummings says his work focuses on “groundwater resources and mineral resource exploration," so ...
Great Sidemen - Great Leaders
by Greg Simmons
Being a sideman can be a thankless job. Sure, you might get to play regularly, but you rarely get to call the tune. If your boss is a big star, the gig might even pay pretty well, but if the band is going to Fargo, North Dakota in January, brother, so are you, and you weren't ...
Animation: Asiento
by C. Michael Bailey
Jam bands Phish and Gov't Mule have been making a cottage industry of covering a famous LP for their respective Halloween concerts (the bands' “costumes," so to speak). In 2010, we were treated to Little Feat's Waiting for Columbus (Warner Brothers, 1978) and The Who's Who's Next (MCA, 1975), respectively. It is not ...
Jazz vs Racism
by Greg Thomas
Jazz saved me from becoming a racist. Back in the early to mid-1980s, while attending Hamilton College in central New York, I learned details about the transatlantic slave trade that sickened and angered me. I read about the history of the abolitionist movement in the 1800s, and the civil rights movements of last ...
Mark Isaacs Resurgence Band: Aurora
by C. Michael Bailey
The last artistic musical movement in jazz to be given a meaningful name was the post-bop movement. Arising out of the mid-1960s as a unifying response to hard bop, modal, the avant-garde and free jazz, post-bop has fairly well dominated the most creative jazz made in the last 30 years. If post-bop has a ground zero, ...
Portland Jazz Orchestra: Nor'easter
by Nicholas F. Mondello
Although the era of the gig-to-gig road-traveling big band is defunct, save for a few ghost bands, fine regional big bands continue to thrive around the United States. From Los Angeles, killer bands such as Gordon Goodwin's Big Phat Band and Tom Kubis's and Gary Urwin's respective ensembles, to the East Coast where groups such as ...
