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Jazz on Soul, Pop, Rock, Folk, and other intangible territories - Part 2

by Artur Moral
Part 1 | Part 2 James Carter soloing on a song by Sting? A prolific French guitarist and producer, approaching his thousandth album, deconstructing one of Billy Joel's most candid love songs? A Spanish trumpeter translating the Bee Gees into the jazz language? Yes, all this will happen in this second installment of a ...
Etienne Charles: Creole Orchestra Featuring René Marie

by Angelo Leonardi
A 18 anni di distanza dal debutto discografico in Culture Shock il trombettista originario di Trinidad & Tobago, si cimenta come bandleader di un ampio organico, in una lussureggiante sintesi di ritmi caraibici e orchestrazioni che vanno dalla tradizione Swing all'hip hop. L'orchestra è un ampliamento della sua storica Creole Soul Band e ospita la cantante ...
Suzanne Pittson: Emerge Dancing

by Nicholas F. Mondello
Emerge Dancing is a fascinatingly intriguing album from New York vocalist (and pianist/composer) Suzanne Pittson and her husband, pianist Jeff Pittson. Primarily a duo album, the pair is joined on a trio of tracks by their son, violist Evan Pittson. Team Pittson has delivered a buffet of jazz, pop, rare-find and well-known standard fare that emerges ...
Backgrounder: Oliver Nelson - Taking Care of Business

Last week, following my series on organ combos, Bill Kirchner sent along a terrific Backgrounder suggestion: Oliver Nelson's Taking Care of Business, Nelson's second leadership date. Recorded in March 1960, the album featured Oliver Nelson (as,ts), Lem Winchester (vib), Johnny Hammond" Smith (org), George Tucker (b) and Roy Haynes (d). The tracks: Trane Whistle (Oliver Nelson) ...
Kristen Lee Sergeant, Ted Nash, Russ Johnson, Audible Spirits & More

by Ludovico Granvassu
This set focuses on Andrew Hill, Herbie Nichols, Bob Dorough and Oliver Nelson, four American originals and various generations of musicians they've inspired.Happy listening!Playlist Ben Allison Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 Superblue feat. The Huntertones Naughty Number Nine" SuperBlue: The Iridescent Spree (Edition) 0:16 Host talks 3:27 ...
Sarah L King: Fire Horse

by Neil Duggan
Starting her musical path with coaching from Mike King, one of the UK's leading contemporary vocal coaches, Sarah L King (no relation), surfaced as a solo jazz vocalist, releasing an EP of standards and several singles. Her passage was helped by a family heritage consisting of an accomplished jazz trumpeter father and an orchestral conductor grandmother. ...
Cory Weeds: Home Cookin'

by Jack Bowers
On Home Cookin', his second recording with an eleven-piece little big band," tenor saxophonist Cory Weeds is doing the best he can. Really. As Weeds writes in the liner notes, the plan was to rehearse the band for two nights at Frankie's Jazz Club in Vancouver, Canada, home to Weeds and most of the band's personnel, ...
Gary Bartz, Sun Ra, Meshell Ndegeocello and More

by Jerome Wilson
This show gets into both the celestial and the funky with artists such as Gary Bartz, Sun Ra, Oliver Nelson, Itamar Borochov, and Meshell Ndegeocello. Playlist Henry Threadgill Sextett I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Sun Ra Rocket Number ...
Cory Weeds: Home Cookin'

by Pierre Giroux
Cory Weeds, a prominent figure in the contemporary jazz scene, has made a remarkable statement with his Little Big Band's latest album Home Cookin'. The session showcases a vibrant collection of compositions/arrangements carefully curated to resonate with his personal journey, including those by Horace Silver, Thad Jones and Oliver Nelson, which are essential to him for ...
Vanessa Perica Orchestra: The Eye is the First Circle

by Jack Bowers
In a review of Love Is a Temporary Madness, the debut recording by Australian composer/arranger Vanessa Perica, the observation was made that Perica's impact in the realm of big-band jazz should be anything but temporary." Perica's second album, The Eye Is the First Circle, has added an exclamation point to that assertion. Again, ...