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Maria Pia De Vito: Bergamo Jazz and Beyond
by Libero Farnè
Non tutte le cantanti, attraverso l'espressione interpretativa, riescono a mettere in piena evidenza il mondo socio-culturale che sta all'origine delle singole canzoni da loro proposte. Proprio questa sembra essere la preoccupazione irrinunciabile di Maria Pia De Vito, che col suo lavoro ha sempre teso a esaltare l'interconnessione, strettissima, indispensabile, fra il livello colto e quello popolare, ...
Results for pages tagged "norma winstone"...
Norma Winstone
Born:
Winstone has a lissome voice, agile and expressive, and she's a fine improviser, besides. That's not to say she's a vocal athlete, however; although she's known for her wordless improvisations, Winstone is a fine interpreter of lyrics and composed melody—a plain- speaking, rhythmically direct singer who gets to the heart of the matter quickly and effectively. Winstone played piano and organ in her youth. She began singing semi-professionally by the age of 17, influenced by conventional jazz vocalists. During the '60s she became attracted to the jazz avant garde. She played in groups led by pianists {{m: Michael Garrick = 6963}} and {{m: Mike Westbrook = 11283}}; she also sang with such forward-thinking musicians as saxophonist {{m: John Surman = 4735}}, flugelhornist {{m: Kenny Wheeler = 11294}}, composer Michael Gibbs, and pianist John Taylor (whom she married in 1972)
Mette Juul: Finding the Musical Sanctuary of Change
by Jakob Baekgaard
Since she released her debut Coming in from the Dark in 2010, Danish jazz singer and songwriter, Mette Juul, has been on a path of discovery that has seen her in collaborations with many prominent musicians, including drummers Alex Riel and Rodney Green, bassist Jesper Lundgaard and trailblazing trumpeter Ambrose Akinmusire. Her latest albums Change (2019) ...
Issie Barratt: Every Solo Is A New Invitation
by Duncan Heining
Issie Barratt is one of the most significant jazz educators in Britain today. From 1999-2004, Barratt was head of Jazz at Trinity College of Music but her role as Artistic Director of the National Youth Jazz Collective has been of even greater importance in developing young jazz talent. Now in its, thirteenth year, NYJC goes from ...
Uli Beckerhoff: Diversity
by Ian Patterson
German trumpeter/composer Uli Beckerhoff has dedicated half a century to his craft, earning numerous plaudits and awards along the way. His collaborations have been many and varied, as evidenced on the career retrospective 70 (Dot Time Records, 2017), a double CD compilation featuring collaborations with John Abercrombie, Palle Danielsson, Norma Winstone, John Marshall, Arild Andersen and ...
Straight Ahead To The U.K.
Label: Dash Hoffman Records
Released: 2019
Track listing: Wheelers and Dealers, Highwire, Hippityville, Sermonette, I Get Along Without You, Shake It Down,
Recipe Of Love, Song 4 Sandy, Something We May Never Know, Dreamsville, Gypsy In My Soul, Last
Night When We Were Young.
In Concert
Label: Enodoc Records
Released: 2019
Track listing: Lucky To Be Me; Ladies In Mercedes; Cafe; The Glide; In Your Own Sweet Way; Round Midnight / Midnight
Sun; Coffee Time; Celeste.
Women of Jazz, New Releases, and a look back at Azimuth
by Bob Osborne
This programme is all about female vocalists with some of the years best new releases plus there's a look back at the music of Azimuth featuring the great Norma Winstone. Featured new albums are from Sonia Johnson, Heather Bambrick and Brenda Earle Stokes. Playlist Sonia Johnson “Storm" from Chrysalis (Self Released) 00:00 Brenda ...
Autumn's Embrace and September Song
by Mary Foster Conklin
Happy Fall to all! This equinox broadcast includes new releases from guitarist Claudette King, vocalists Tish Oney, Kelley Johnson, Carolyn Fitzhugh and Chiara Izzi, pianist Sumitra and saxophonist Chelsea McBride's Socialist Night School, with birthday shout outs to saxophonist Vi Redd (pictured), pianists Lovie Austin, Bobby Short, Kait Dunton, Helen Sung and Champian Fulton, guitarist Emily ...
More Miles/Gallon
by Marc Cohn
This week we return with a “Bitches Brew -Day 2" and a “compare and contrast" between two Wayne Shorter tunes (from Super Nova) versus Miles Davis (from Water Babies). But of course, there's more. We moon over Anita O'Day (a centennial warmup) and go to a hotel with Kenny Clarke keeping time on a phone book ...
