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Album

Ensam

Label: Lpr Music
Released: 2016
Track listing: How The Other Half Lives; Checkpoint Charlie; Ensam; Just at Sunset; Libertine; Yoopers; But Not for Me; Southern Smiles; The Night We Called it a Day.

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Article: Book Review

Man Of The Light: The Life And Work Of Zbigniew Seifert

Read "Man Of The Light: The Life And Work Of Zbigniew Seifert" reviewed by Ian Patterson


Man Of The Light: The Life And Work Of Zbigniew Seifert Aneta Norek-Skrycka 172 Pages ISBN: 978-83-938054-2-6 The Zbigniew Seifert Foundation 2016 A number of European jazz musicians stand out for having shaped the sound of the music in the past fifty years, for their virtuosity and for having ...

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Article: Live Review

London Jazz Festival 2016

Read "London Jazz Festival 2016" reviewed by Duncan Heining


The London Jazz Festival, now in its 24th year, straddles the capital--its noble aim, as ever, is the provision of musical succour for the diverse tastes that make up the larger British jazz audience. You want mainstream, you'll find it. Looking for fusion, then look no further. Free jazz, bebop, blues? Step this way. Postjazz? Postjazz? ...

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Article: Profile

Improvised Music Company: Orbital Pathways, Gravitational Pull

Read "Improvised Music Company:  Orbital Pathways, Gravitational Pull" reviewed by Ian Patterson


Arguably some of the most dramatic changes in jazz have taken place in the last quarter of its century-long history: the emergence of a strong European jazz identity/identities; technological advances that empower individuals to become their own producers; Youtube, which has all but erased the boundary between past and present; the increase in pedagogical institutions; pan-national ...

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Article: Live Review

Galway Jazz Festival 2016

Read "Galway Jazz Festival 2016" reviewed by Ian Patterson


Galway Jazz Festival Various Venues Galway, Ireland October 7-9, 2016 The best jazz festivals are not necessarily the biggest. They're not always the ones with the marquee names. The best festivals, without a doubt, are the ones you remember, years later, for having had a hell of a good time. ...

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Article: Album Review

Andre Canniere: The Darkening Blue

Read "The Darkening Blue" reviewed by Roger Farbey


Five of the ten numbers here are songs with lyrics, four of which are translations of poems by Bohemian-Austrian poet Rainer Maria Rilke and one is written by Monique Canniere, whose words were inspired by American author Charles Bukowski's “Bluebird." The pastoral solo piano opening to “Autumn Day" belies the strong entrance by the ...

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Article: Album Review

Kevin Brady: Ensam

Read "Ensam" reviewed by Ian Patterson


The trans-Atlantic trio of drummer/composer Kevin Brady, Bill Carrothers and Dave Redmond first came together in 2006, since when it has toured more frequently than it's recorded. Ensam (LRP Music, 2016), the group's third outing, following Common Ground (The Livingroom Project, 2007) and Zeitgeist (Fresh Sounds, New Talent, 2009), is an intimate three-way dialogue, with veteran ...

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Article: Album Review

Geoffrey Eales: Transcience

Read "Transcience" reviewed by Budd Kopman


Transience is Welsh pianist/composer Geoffrey Eales' thirteenth release dating back to 1999. All of the words and music are by Eales, and he has taken this opportunity to express in music his feelings about how ephemeral human existence is in general, but also specifically of the passing within the past year of his mother, as well ...

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Article: Album Review

Glauco Venier: Miniatures

Read "Miniatures" reviewed by Mark Sullivan


Italian pianist Glauco Venier presents a delicate program of “Music for piano and percussion" on his first solo album for ECM. The approach came out of music Venier made for a documentary film about sculptor Giorgio Celiberti, which involved piano plus playing on “sonorous sculptures" (metal sculptures designed to also have sound qualities). For this recording ...

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Article: Interview

Glauco Venier si racconta con Miniatures

Read "Glauco Venier si racconta con Miniatures" reviewed by Giuseppe Segala


Miniatures è un piano solo. Ma è anche qualcosa di più, per il modo in cui sono state inserite nel tessuto narrativo le sculture sonore azionate dallo stesso Glauco Venier e per come sono saldate al pensiero che sorregge la musica. La musica respira anche attraverso il dialogo tra pianoforte e sculture sonore, che tracciano una ...


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