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Martin Blume, Tobias Delius, Achim Kaufmann, Dieter Manderscheid: Frames & Terrains
by Alberto Bazzurro
Tirato in soli 300 esemplari su vinile, quindi con la classica divisione per facciate che giocoforza separa a sua volta in due parti la suite del titolo, peraltro frutto di un'unica seduta di improvvisazione totale, questo lavoro (live a Colonia, 9 giugno 2016) esprime e documenta pregi e difetti della formula, per la verità più i ...
Bobby Naughton / Leo Smith / Perry Robinson: The Haunt
by Mark Corroto
You might have heard the cheer go up with the reissue of The Haunt, vibraphonist Bobby Naughton's 1976 trio recording with trumpeter Wadada Leo Smith and clarinetist Perry Robinson. Crate diggers have treasured the long out-of-print original release on Naughton's Otic Records. Thanks to Lithuania's NoBusiness Records, we have this important document remastered, plus an additional ...
Kang Tae Hwan: Live At Cafe Amores
by John Sharpe
South Korean reedman Kang Tae Hwan is one of the foremost exponents of solo saxophone in the Far East. While he has featured in groups, notably Ton Klami who can be heard on Prophecy Of Nue (NoBusiness, 2017), his conception is so singular that it may be best appreciated in undiluted form. Which makes Live At ...
Barre Phillips / Motoharu Yoshizawa: Oh My, Those Boys!
by John Sharpe
Expatriate American bassist Barre Phillips is the banner name on another in the Chap Chap series of improvised encounters from Japan issued by the NoBusiness imprint. He boasts an illustrious back-story. His Journal Violone (Opus One,1968) is reputed to be the first solo bass album, while Music From Two Basses (ECM, 1971) with Dave Holland was ...
Itaru Oki: Kami Fusen
by Nicola Negri
Kami Fusen è il secondo capitolo della serie di registrazioni inedite curata da NoBusiness e Chap Chap Records, dopo l'eccellente The Conscience di Paul Rutherford e Sabu Toyozumi. Questa volta, i musicisti provengono tutti dall'Estremo Oriente. Itaru Oki è stato tra i primi musicisti giapponesi ad esplorare il linguaggio del free jazz nei ...
Samuel Blaser / Gerry Hemingway: Oostum
by John Sharpe
Swiss trombonist Samuel Blaser has developed a productive partnership with drummer Gerry Hemingway since the American's relocation to Switzerland. Hemingway also forms part of the latest incarnation of Blaser's Quartet as well as his Consort In Motion outfit, heard on A Mirror to Machaut (Songlines, 2013). Such alliances stand the pair in good stead as they ...
Martin Blume / Tobias Delius / Achim Kaufmann / Dieter Manderscheid: Frames & Terrains
by John Sharpe
Previous collaborations between British-born (though to an Argentinean father and a German mother) reedman Tobias Delius and German pianist Achim Kaufmann include appearances in drummer Christian Lillinger's Grund and in the European version of NYC singer Fay Victor's Herbie Nichols project, so their pairing as part of a co-operative quartet on Frames & Terrains is not ...
Paul Rutherford: The Conscience
by Nicola Negri
La lituana NoBusiness Records è tra le etichette più significative nel panorama free jazz attuale, specializzata nella diffusione di registrazioni d'archivio, solitamente live, oltre che nella promozione di nuovi progetti. All'inizio del 2017, NoBusiness ha inaugurato una collaborazione con un'altra etichetta che condivide le stesse strategie, la giapponese Chap Chap Records. Attiva fin dai primi anni ...
Mark Dresser: Modicana
by John Sharpe
As virtuoso bassist Mark Dresser has been performing and recording solo since 1983, you can guarantee that he knows what he's doing. And Modicana fully meets expectations, presenting an accomplished and engaging album which belies the potential austerity of the unaccompanied recital. The limited edition LP collects two pieces recorded live at the 2016 Umea Jazz ...
Mark Dresser: Modicana
by Alberto Bazzurro
Titoli decisamente singolari, stravaganti come a volte sa essere il personaggio, formato LP (primi tre brani sul lato A, restanti quattro sul retro), perfetto equilibrio fra archettato (in cui il Nostro è maestro) e pizzicato (non senza l'irrompere pur discreto di rumorismi più o meno episodici, che vanno comunque infittendosi verso la fine) e una qualità ...
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