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9

Article: Album Review

Mototeru Takagi: Live At Little John Yokohama 1999

Read "Live At Little John Yokohama 1999" reviewed by John Sharpe

by John Sharpe

Four Japanese improvisers gather for an absorbing summit meeting in the Tokyo port city on Live At Little John Yokohama 1999. Probably the best known of the quartet will be tenor saxophonist Mototeru Takagi, who appeared on drummer Milford Graves' underground classic Meditations Among Us (Kitty, 1977) some 22 years earlier. There is a whiff of ...

7

Article: Album Review

Sam Rivers: Undulation

Read "Undulation" reviewed by John Sharpe

by John Sharpe

Sam Rivers, who died in 2011, was one of the luminaries of the avant-garde, a Blue Note artist who played not only with Miles Davis and Cecil Taylor, but also Dizzy Gillespie and Billie Holiday. He lead his own groups for much of his life but also found time to run one of New York's premier ...

2

Article: Album Review

Szilárd Mezei Tubass Quintet: Rested Turquoise

Read "Rested Turquoise" reviewed by Mark Corroto

by Mark Corroto

Pardon the quote from the American rock band Cracker's lyrics to “Low": Sometimes I want to take you down/Sometimes I want to get you low/ Brush your hair back from your eyes/Take you down let the river flow. It's relevant because Szilárd Mezei's Tubass Quintet does carry out a mission to take you low. With a ...

5

Article: Album Review

Barry Guy: Irvin's Comet

Read "Irvin's Comet" reviewed by John Sharpe

by John Sharpe

Unaccompanied might just be the best format in which to appreciate British bassist Barry Guy's playing. This way there are no distractions, no other virtuosi vying for attention. That is often an issue. Although his discography contains occasional solo dates, they are far outnumbered by the entries for the trio with saxophonist Evan Parker and drummer ...

1

Article: Album Review

Frode Gjerstad / Kent Carter / John Stevens: Detail - 90

Read "Detail - 90" reviewed by John Eyles

by John Eyles

The group Detail first played together in December 1981. After a short period when the Norwegian pianist Eiven One Pederson was a member, it stabilised as a trio comprising Norwegian saxophonist Frode Gjerstad, South African bassist (and one-time Blue Note artist) Johnny Dyani, and British drummer John Stevens; these three recorded the group's first album, Backwards ...

5

Article: Album Review

Sam Rivers Quartet: Undulation

Read "Undulation" reviewed by John Eyles

by John Eyles

Undulation is the fifth volume of the NoBusiness label's impressive Sam Rivers Archive Project, following the trio on Emanation and the quintet on Zenith, both issued in 2019, the trio outing Ricochet and the quartet on Braids, both 2020. All volumes comprise previously unreleased live recordings, the first four dating from Boston 1971, Berlin 1977, San ...

13

Article: Album Review

Liudas Mockūnas / Arvydas Kazlauskas: Purvs

Read "Purvs" reviewed by Mark Corroto

by Mark Corroto

If you need evidence that the very first musicians, our evolutionary ancestors, made sounds to imitate nature, Purvs may be the proof. The Latvian and Lithuanian saxophonists Arvydas Kazlauskas and Liudas Mockūnas made two recordings, one in an open air Latvian bog marsh which makes up the first LP of this release and the second LP ...

5

Article: Album Review

Sabu Toyozumi / Mats Gustafsson: Hokusai

Read "Hokusai" reviewed by John Sharpe

by John Sharpe

In a departure from the archival recordings customarily offered by the NoBusiness label's Japanese Chap Chap series, Hokusai presents a meeting of minds between Swedish reedman Mats Gustafsson and veteran drummer Sabu Toyozumi, recorded live in June 2018. The 65-minute program includes a solo piece from each man but still affords over 40-minutes of the pair ...

5

Article: Multiple Reviews

The Pandemic Sessions: Solos, Part 2

Read "The Pandemic Sessions: Solos, Part 2" reviewed by Mark Corroto

by Mark Corroto

Part 1 | Part 2 The entire world was in lockdown during the COVID-19 crisis, and of course, that included musicians. Unable to tour and record with their various ensembles, many artists prepared solo projects (some recorded before the virus struck). Most of the music is very personal, as if the artists are asking ...

5

Article: Album Review

Derek Bailey / Mototeru Takagi: Live at FarOut, Atsugi 1987

Read "Live at FarOut, Atsugi 1987" reviewed by John Sharpe

by John Sharpe

Thanks to its licensing deal with the Japanese Chap Chap label, the Lithuanian NoBusiness imprint continues its exposure of unexpected gems from the Japanese free scene of the 1980s and 1990s. While many feature solely native improvisers, others pair local performers with Western visitors. Live At Far Out, Atsugi 1987 falls into the ...


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