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Meet Courtney Cutchins
by Cheryl K.
In this hour, an interview with Jazz vocalist-songwriter Courtney Cutchins. Her debut release, due out on Laseryn Music on October 18, is Grunge to Grace.Playlist No Codes “Fiend Zone" from Usual Suspects (Sunset Hill Music) 4:45 Rich Halley 4 “The Hard Truth" from Dusk and Dawn (Pine Eagle) 7:30 Courtney Cutchins “Boot Camp" from ...
New ECM Releases, Shorter Live, And More
by Bob Osborne
ECM records continue to release an eclectic range of remarkable music which transcends narrow genre classifications and offers the listener the chance to explore new sounds and experiences. Four excellent new releases from that label are featured on this episode. In addition there is a fascinating and varied mix of new releases yet again proving that ...
No Codes
Label: Multiple Chord Music (MCM)
Released: 2018
Track listing: Rules of Compression; Song For Daniel; Cream Muffin Treat; Interlude 1; Cool Cats; No I Didn't; Double Meaning; Interlude 2;
Quick Fix; Reconciliation; My Steps
Benjamin Deschamps: No Codes
by Friedrich Kunzmann
After having been exposed to the enticing Trioliloquy by the A/B Trio and Christian McBride's thrilling New Jawn, here is another formation which renounces any harmonic instrument and rather relies on the abilities of two saxophones and a tight rhythm section--so No Codes has no chords. Montreal-based alto saxophonist and composer Benjamin Deschamps is joined by ...
About Benjamin Deschamps
Instrument: Saxophone, alto
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Benjamin Deschamps
Born:
It was through his classical music background that Benjamin Deschamps discovered jazz to finally make it his own. Although he cumulates artistic mediums (he is a flutist, clarinetist and arranger), it is his talents as a saxophonist and composer that have put him in the spotlight. His gregarious spirit led him to collaborate with several ensembles such as the Rachel Therrien Quintet, Odd Lot (Jacques Kuba Séguin), the Joe Sullivan Big Band, the Orchestre national de jazz de Montréal and JazzLab Orchestra (Effendi) before diving headfirst into his own projects. From trio to sextet, he plays with variable ensemble sizes to give the most fitting touch to each work.
