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54

News: Performance / Tour

Wesseltoft/Kornstad/Opsvik Live at Nublu, NYC

Wesseltoft/Kornstad/Opsvik Live at Nublu, NYC

WHO: Bugge Wesseltoft - keyboards, electronics Hakon Kornstad - tenor sax, flutonet, sampler Eivind Opsvik - upright bass WHEN: THURSDAY JUNE 13th 10pm WHERE: NUBLU 62 Avenue C, Between 4th and 5th Street: Tel: (212)979 9965 subway: F ...

157

News: Performance / Tour

Mike Baggetta Quartet at Brooklyn Lyceum

Mike Baggetta Quartet at Brooklyn Lyceum

"The up-and-coming guitarist Mike Baggetta seeks an adventurous but accessible dynamic with his quartet, which features Jason Rigby on tenor saxophone, Eivind Opsvik on bass and George Schuller on drums." - Nate Chinen, the New York Times Wednesday June 11 8pm $10 Brooklyn Lyceum 227 Fourth Avenue @ ...

257

Article: Album Review

Kurt Rosenwinkel: The Remedy

Read "The Remedy" reviewed by Wilbur MacKenzie

by Wilbur MacKenzie

This live double CD is Kurt Rosenwinkel's seventh record as a leader and the first to be released on ArtistShare, following five releases on Verve. Such high profile output is notable even without taking into consideration the other forty or fifty releases he's appeared on since his auspicious early departure from Berklee in the early 1990s ...

193

Article: Album Review

Marilyn Crispell: Vignettes

Read "Vignettes" reviewed by Martin Longley

by Martin Longley

Pianist Marilyn Crispell was always primarily known as a stylistic descendant of Cecil Taylor, never resting for a moment as she spewed out endless runs of high invention, cascades of pointillistically constructed density. But everyone becomes calmer eventually and this solo piano set finds Crispell in an extremely introverted state, examining the relationship between carefully enunciated ...

167

Article: Album Review

Adam Rudolph's Go: Organic Orchestra: Thought Forms

Read "Thought Forms" reviewed by Matthew Miller

by Matthew Miller

About a minute and a half into “Mirrors," track two on Thought Forms, the distinct voices of Adam Rudolph's Go: Organic Orchestra begin to blend. Percussive tongue slaps, growling flutes and slashed cymbals collect in a glowing sonic aggregate; overtones arch up, out and over the thirty-plus member band. The effect is otherworldly and, like everything ...

306

Article: Album Review

Remi Bolduc: 4 + 1 with Jerry Bergonzi

Read "4 + 1 with Jerry Bergonzi" reviewed by Ken Dryden

by Ken Dryden

Alto saxophonist Remi Bolduc, a professional musician since the age of fifteen, is rather well known in his native Canada, where he has worked with bandleader Vic Vogel, pianists Oliver Jones and Lorraine Desmarais, the late drummer Bernard Primeau and guitarist René Lussier. He has also played gigs with Americans such as bassist Marc Johnson, guitarist ...

190

Article: Album Review

James Carter: Present Tense

Read "Present Tense" reviewed by Joel Roberts

by Joel Roberts

Detroit-born James Carter burst on the New York jazz scene in the early 1990s and quickly established himself as a force to be reckoned with on the tenor saxophone and a host of other reed instruments. A technically advanced player with more than a touch of hip hop swagger, Carter stood apart from fellow Neo-traditionalist newcomers ...

343

Article: Album Review

Anthony Braxton/Joe Morris: Four Improvisations (Duo) 2007

Read "Four Improvisations (Duo) 2007" reviewed by Martin Longley

by Martin Longley

Braxton band members Mary Halvorson and Taylor Ho Bynum urged their leader to collaborate with guitarist Joe Morris and, following a booking at the Crowe Auditorium, Wesleyan University, the twosome proceeded to immerse themselves completely. Braxton was impressed by the results and decided that only a four-disc box set would suffice. Fortunately, Clean Feed is a ...

229

Article: Album Review

Connie Crothers Quartet: Music Is A Place

Read "Music Is A Place" reviewed by Tom Greenland

by Tom Greenland

With Music Is A Place pianist Connie Crothers has created an enduring work, a crystallization and clarification of her musical aesthetic. Featuring longtime colleagues Richard Tabnik (alto) and Roger Mancuso (drums) along with veteran bassist Ratzo Harris, the disc contains a set of originals that explore the interzone between pre- and free composition, a mix of ...

185

Article: Album Review

Gene Bertoncini: Concerti

Read "Concerti" reviewed by Laurel Gross

by Laurel Gross

At 70, guitarist Gene Bertoncini continues to make standards and classics breathe and shimmer, inviting listeners to experience them in new ways. On Concerti, his considerable skill at navigating a nylon-stringed guitar are complemented by a group of highly capable string players and clever arrangements, all crucial to this winning endeavor. Engineer Mark Conese deserves mention ...


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