Connie Crothers Quartet: Music Is A Place

The accent here is on compatibility and democratic interplay. Crothers and Mancuso, in particular, are highly simpatico; their dialogues sound like the culmination of many previous conversations, unplanned yet well prepared for in the course of their ongoing relationship. Mancuso plays out of a swing bag but within these limitations his concept is extremely creative, mixing it up even as he implies a firm rhythmic foundation. Harris combines fluid legato articulations with a robust sound. Tabnik is a highly original altoist, his style ranging from calm geometric precision to violent meteorological storms; one of his best moments is an inspired solo during "Carol's Dream" that stems from the jazz tree but grafts fresh fruit to the limb.

Tabnik and Crothers' unison melodies are uncanny, tightly integrated yet creating the illusion of free improv; a few of the "tunes," notably "You're the One" and "Carol's Dream," sound as if they were created off-the-cuff. The comping by various group members is often so active that it blurs the roles of soloist and accompanist. Music Is A Place is a wonderfully elastic combination of groupthink and individuality, constraint and freedom, probability and possibility.

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