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287

Article: Album Review

Howard Alden/Bucky Pizzarelli: In a Mellow Tone

Read "In a Mellow Tone" reviewed by Mitchell Seidel

by Mitchell Seidel
July 25, 2004

Good taste never goes out of style and knows no demographic, as this delicate album by two masters of the seven-string demonstrates. The 45-year old Alden and the 77-year old Pizzarelli may be a generation apart, but they are certainly cut from the same cloth. A great example of how their comping and strumming styles mesh ...

340

Article: Album Review

Mongezi Feza: Free Jam

by A. Henkin
July 25, 2004

When South African trumpeter Mongezi Feza passed away in 1975 at age thirty, a mere eleven years after leaving the oppressive regime of his native country, jazz lost a musician who bridged the gap between Freddie Hubbard and Don Cherry. “Mongs," as he was affectionately called, was not an avant-garde player or a trad player--rather he ...

223

Article: Album Review

Jimmy Smith: Prayer Meetin

Read "Prayer Meetin" reviewed by Joel Roberts

by Joel Roberts
July 25, 2004

Jimmy Smith and the late Stanley Turrentine were one of the great organ-sax combos, collaborating on a series of albums for Blue Note in the early '60s that helped define the genre of soul jazz. The last of those efforts was 1963's Prayer Meetin' , made at the end of a flurry of recording activity by ...

119

Article: Album Review

Keez Hazevoet: Pleasure

by A. Henkin
July 25, 2004

Pianist Keez Hazevoet is the Marzette Watts of Holland. The key behind this ridiculous statement is what propels Atavistic's Unheard Music Series (UMS). Knowing that many key documents of avant-garde jazz are unknown to the folks who would most like to hear them, the people in charge of the UMS have seen fit to reissue choice ...

358

Article: Album Review

Klez Dispensers: New Jersey Freylekhs

Read "New Jersey Freylekhs" reviewed by Elliott Simon

by Elliott Simon
July 25, 2004

With their exuberance, musicianship and ability to have any audience get up and dance, The Klez Dispensers have become the house band for klezmer's newest wave. New Jersey Freylekhs draws inspiration from the experimental jazz/Jewish interchanges of the late '50s where bop added to klezmer's established relationship with swing. It is obvious throughout that the Dispensers ...

634

Article: Profile

Steve Lacy: 1934-2004

by AAJ Staff
July 24, 2004

It was some time in 1956 playing with my college Dixieland band when our regular reed man could not make a gig. We were intrigued by what we heard about a rising new star on the New York jazz scene. Soprano saxophonist Steve Lacy was gaining a reputation for playing the old music in a more ...

1,108

Article: Interview

Sonny Simmons

by Clifford Allen
July 24, 2004

Alto saxophonist Sonny Simmons was born on Sicily Island, Louisiana. At a young age, he moved to Oakland, California with his family, bringing the budding musician into contact with touring musicians like Duke Ellington and Charlie Parker as well as local modernists. By the early '60s, Sonny had moved to LA to record and work with ...

562

Article: Profile

John Abercrombie: Timeless

by AAJ Staff
July 17, 2004

By Bill Milkowski Over the past 30 years, since the 1974 recording of Timeless , his groundbreaking debut for the ECM label, John Abercrombie has remained one of the most genuinely original guitar voices of his generation (which would include such heavyweight colleagues as John Scofield, Bill Frisell, Mike Stern and Pat Metheny). ...

141

Article: Multiple Reviews

Frank Kimbrough and Ben Allison

by Sean Patrick Fitzell
July 11, 2004

Frank Kimbrough Lullabluebye Palmetto 2004 For more than ten years, pianist Frank Kimbrough and bassist Ben Allison have collaborated on numerous projects of the Jazz Composers Collective and their own. Despite their frequent appearances together, the two have different approaches as composers and leaders. On Lullabluebye, Kimbrough explores the classic ...

Article: Multiple Reviews

Maneri Times Two

by Kurt Gottschalk
July 11, 2004

Mat Maneri For Consequence Leo 2004 Violinist and violist Mat Maneri has done much to put the small strings out front, with perhaps mixed but nevertheless assured results. He's run the emotive range from meditating monk to overamplified rock star, and on two recent dates-one with a trio and one ...