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Donald Harrison: Heroes
by Jeff Stockton
Ron Carter, one of altoist Donald Harrison's heroes and the primary bassist on this recording, makes the point that Harrison comes from New Orleans, but doesn't insist that he does. Harrison approaches his tradition with a pure heart, and from his apprenticeship with Art Blakey and the Jazz Messengers in the mid '80s through his own ...
David Sanchez: Coral
by Joel Roberts
If he's not already there, David Sanchez's new album should secure the Puerto Rican-born tenor saxophonist's place among the very top younger jazz artists working today. Blending bebop, Latin and classical elements, Coral is the most ambitious, mature, genre-stretching musical statement of the 35-year-old's already noteworthy career. Recorded in the Czech Republic with the ...
Frank Gratkowski Quartet: Facio
by Sean Patrick Fitzell
Veteran German saxophonist/multi-clarinetist Frank Gratkowski's latest offering, Facio , is an ambitious nine-part suite covering a swath of musical territory--from composed ensemble sections to free improvisation, delicate whispers to ferocious sonic assaults. But the different facets are skillfully joined together--the composition offers a hint of structure to the improvisations and the free playing adds spontaneity to ...
Malachi Thompson & Africa Brass: Blue Jazz
by Jeff Stockton
Malachi Thompson's Africa Brass project embodies all the variety and complexity of his Chicago home base: the urban experience of African Americans transplanted from the rural south; the blending of blues and jazz as musicians stepped out of juke joints and onto the stages of supper clubs; the respect for tradition tempered by the desire for ...
Ray Brown: Walk On
by Terrell Kent Holmes
Ray Brown (1926-2002) played the bass the same way he lived: with style, a peerless vivacity and a boundless generosity of spirit. Unlike most bass players, when Brown was at the helm the listener always had the sense of his being a true leader, not merely a timekeeper and occasional soloist. The final testament to his ...
Mark Murphy: Bop for Miles
by Andrew Rowan
Simply put, Mark Murphy is one of the great jazz singers. His musical gifts remain prodigious, his depth of expression a model for all who practice this art, his recordings reside in the treasure trove of vocal jazz. On his current recording, Bop for Miles , Murphy is in top form, ebullient and able ...
Eric Wyatt: The Blueprint: Family Business
by Andrew Rowan
Boasting a mixture of some of the best young players around, many from the burgeoning Brooklyn jazz scene and mixing in veteran alto saxophonist master James Spaulding, Eric Wyatt has fashioned a sprawling, energetic, raw-boned recording, at times bringing to mind the cooking era of Blue Note Records. Wyatt, a big-toned tenor saxophonist who ...
Rashied Ali/Arthur Rhames: The Dynamic Duo Remember Trane and Bird
by A. Henkin
For some, Interstellar Space was the end of John Coltrane--and for others, just the beginning. As many people dislike Rashied Ali for being Trane's last drummer as like him for that same reason. Indisputable though is that Interstellar Space began the examination of new possibilities for the duet format, apart from the typical piano/bass example. Ali ...
Uri Caine: Live at the Village Vanguard
by AAJ Staff
It was much easier on us jazz critics when discs used to just barely break the half-hour mark. Jazz is often dense, complex music which requires a great deal of attention to decipher, and we've got piles of the stuff to get through. Which is why, as good as it is--and it's often spectacularly good--Uri Caine's ...
John O'Gallagher/Masa Kamaguchi/Jay Rosen: Rules of Invisibility Volume 1
by Florence Wetzel
Does anyone at CIMP ever sleep? Every time you turn around, they've released yet another CD of first-rate improvised music, all recorded to their high standards and all giving complete freedom to the artists involved. Bob Rusch and his team are on a mission, documenting one-of-a-kind sessions as well as the rich array of jazz musicians ...

