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204

Article: Album Review

Donald Harrison: Heroes

Read "Heroes" reviewed by Jeff Stockton

by Jeff Stockton

Ron Carter, one of altoist Donald Harrison's heroes and the primary bassist on this recording, makes the point that Harrison comes from New Orleans, but doesn't insist that he does. Harrison approaches his tradition with a pure heart, and from his apprenticeship with Art Blakey and the Jazz Messengers in the mid '80s through his own ...

166

Article: Album Review

David Sanchez: Coral

Read "Coral" reviewed by Joel Roberts

by Joel Roberts

If he's not already there, David Sanchez's new album should secure the Puerto Rican-born tenor saxophonist's place among the very top younger jazz artists working today. Blending bebop, Latin and classical elements, Coral is the most ambitious, mature, genre-stretching musical statement of the 35-year-old's already noteworthy career. Recorded in the Czech Republic with the ...

105

Article: Album Review

Frank Gratkowski Quartet: Facio

Read "Facio" reviewed by Sean Patrick Fitzell

by Sean Patrick Fitzell

Veteran German saxophonist/multi-clarinetist Frank Gratkowski's latest offering, Facio , is an ambitious nine-part suite covering a swath of musical territory--from composed ensemble sections to free improvisation, delicate whispers to ferocious sonic assaults. But the different facets are skillfully joined together--the composition offers a hint of structure to the improvisations and the free playing adds spontaneity to ...

216

Article: Album Review

Malachi Thompson & Africa Brass: Blue Jazz

Read "Blue Jazz" reviewed by Jeff Stockton

by Jeff Stockton

Malachi Thompson's Africa Brass project embodies all the variety and complexity of his Chicago home base: the urban experience of African Americans transplanted from the rural south; the blending of blues and jazz as musicians stepped out of juke joints and onto the stages of supper clubs; the respect for tradition tempered by the desire for ...

404

Article: Album Review

Ray Brown: Walk On

Read "Walk On" reviewed by Terrell Kent Holmes

by Terrell Kent Holmes

Ray Brown (1926-2002) played the bass the same way he lived: with style, a peerless vivacity and a boundless generosity of spirit. Unlike most bass players, when Brown was at the helm the listener always had the sense of his being a true leader, not merely a timekeeper and occasional soloist. The final testament to his ...

205

Article: Album Review

Mark Murphy: Bop for Miles

Read "Bop for Miles" reviewed by Andrew Rowan

by Andrew Rowan

Simply put, Mark Murphy is one of the great jazz singers. His musical gifts remain prodigious, his depth of expression a model for all who practice this art, his recordings reside in the treasure trove of vocal jazz. On his current recording, Bop for Miles , Murphy is in top form, ebullient and able ...

316

Article: Album Review

Eric Wyatt: The Blueprint: Family Business

Read "The Blueprint: Family Business" reviewed by Andrew Rowan

by Andrew Rowan

Boasting a mixture of some of the best young players around, many from the burgeoning Brooklyn jazz scene and mixing in veteran alto saxophonist master James Spaulding, Eric Wyatt has fashioned a sprawling, energetic, raw-boned recording, at times bringing to mind the cooking era of Blue Note Records. Wyatt, a big-toned tenor saxophonist who ...

358

Article: Album Review

Rashied Ali/Arthur Rhames: The Dynamic Duo Remember Trane and Bird

Read "The Dynamic Duo Remember Trane and Bird" reviewed by A. Henkin

by A. Henkin

For some, Interstellar Space was the end of John Coltrane--and for others, just the beginning. As many people dislike Rashied Ali for being Trane's last drummer as like him for that same reason. Indisputable though is that Interstellar Space began the examination of new possibilities for the duet format, apart from the typical piano/bass example. Ali ...

293

Article: Album Review

Uri Caine: Live at the Village Vanguard

Read "Live at the Village Vanguard" reviewed by AAJ Staff

by AAJ Staff

It was much easier on us jazz critics when discs used to just barely break the half-hour mark. Jazz is often dense, complex music which requires a great deal of attention to decipher, and we've got piles of the stuff to get through. Which is why, as good as it is--and it's often spectacularly good--Uri Caine's ...

119

Article: Album Review

John O'Gallagher/Masa Kamaguchi/Jay Rosen: Rules of Invisibility Volume 1

Read "Rules of Invisibility Volume 1" reviewed by Florence Wetzel

by Florence Wetzel

Does anyone at CIMP ever sleep? Every time you turn around, they've released yet another CD of first-rate improvised music, all recorded to their high standards and all giving complete freedom to the artists involved. Bob Rusch and his team are on a mission, documenting one-of-a-kind sessions as well as the rich array of jazz musicians ...


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