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222

Article: New York Beat

Pat Metheny Group 2005

Read "Pat Metheny Group 2005" reviewed by Nick Catalano

by Nick Catalano

I was in south Florida last week and decided to catch the beginning of Pat Metheny's new tour, a multi-city affair in support of his new CD The Way Up. The CD, which is No. 2 on Billboard magazine's contemporary jazz chart, is a single 68-minute opus reprising Metheny's jazz-rock-pop-folk-fusion musical evolution. At the concert, held ...

565

Article: Live Review

The Allman Brothers Band at the Beacon Theatre

Read "The Allman Brothers Band at the Beacon Theatre" reviewed by David Miller

by David Miller

The Allman Brothers Band The Beacon Theatre New York City March 2005 The Allman Brothers Band once again set up camp at New York's Beacon Theatre for nine shows in the past two weeks in what has become an annual rite of passage. The Beacon has become a home away ...

971

Article: Megaphone

Anthony Coleman: Ambiguity is a Richness

Read "Anthony Coleman: Ambiguity is a Richness" reviewed by AAJ Staff

by AAJ Staff

By Anthony Coleman Tradition. Sometimes I really don't like that word. It feels so limiting, conservative. And so much current discourse revolves around it. And we've seen something many of us hoped for: “jazz", or whatever you want to call it, put on the pedestal with the other great music of the world. ...

481

Article: Live From New York

April 2005

Read "April 2005" reviewed by AAJ Staff

by AAJ Staff

Over the course of six nights, the “JazzItaliano in New York" festival brought seldom-seen faces to a number of New York bandstands. At Smoke (Mar. 4th), alto and soprano saxophonist Rosario Giuliani teamed with pianist Pietro Lussu, bassist Gianluca Renzi and drummer Marcello Di Leonardo and made a huge sound, playing music from 2002's Mr. Dodo ...

452

Article: Album Review

Dizzy Gillespie: Salt Peanuts

Read "Salt Peanuts" reviewed by Terrell Kent Holmes

by Terrell Kent Holmes

Ted Williams could go one for four. Maria Callas wasn't always in perfect voice. Words sometimes failed Hemingway. Even legends have normal days. Salt Peanuts is a recently discovered recording of a Dizzy Gillespie concert date in Montréal in 1981 and although his playing was still strong, it frankly isn't one of his better moments.

120

Article: Album Review

Joey DeFrancesco with Jimmy Smith: Legacy

Read "Legacy" reviewed by Terrell Kent Holmes

by Terrell Kent Holmes

With the passing of organ legend Jimmy Smith on February 8th, the jazz world lost a boundless innovator and a good old friend. His final recording, the appropriately titled Legacy, proves that, even in his seventies, he was still the man on the B3. He shares the bill with disciple Joey DeFrancesco, once hailed as the ...

273

Article: Album Review

John Ellis: One Foot in the Swamp

Read "One Foot in the Swamp" reviewed by Joel Roberts

by Joel Roberts

If, as the title of his new album suggests, saxophonist John Ellis has one foot in the swamp--meaning the Southern-fried funk of New Orleans, where he spent his formative musical years and recorded his new disc--his other foot is firmly planted in the more adventurous modern jazz scene of his current base here in New York. ...

157

Article: Album Review

Marcin Wasilewski, Slawomir Kurkiewicz, Michal Miskiewicz: Trio

Read "Trio" reviewed by Brian P. Lonergan

by Brian P. Lonergan

Trio is shorthand for pianist Marcin Wasilewski, bassist Slawomir Kurkiewicz, and drummer Michal Miskiewicz, the talented Polish rhythm section that has backed trumpeter Tomasz Stanko on his last two ECM albums. This is the group's first domestic release sans Stanko, but the trio sustains intriguing atmospheres throughout. It's tempting to invoke another longstanding ECM ...

119

Article: Album Review

Sonic Liberation Front: Ash

Read "Ash" reviewed by Brian P. Lonergan

by Brian P. Lonergan

At Satalla in late January, Sonic Liberation Front delivered a rousing set that was representative (almost song-for-song) of the group's new album, Ashé A Go-Go. Their second release since forming in 2000, Ashé continues the Front's compelling combination of Afro-Cuban batá drumming from the Nigerian Yoruba tradition with angular horn melodies in the style of Ornette ...

324

Article: Album Review

Sammy Davis Jr./Buddy Rich: The Sounds of '66

Read "The Sounds of '66" reviewed by Andrew Rowan

by Andrew Rowan

Sammy Davis Jr. opens these after-hours Las Vegas recording sessions, remarking that even at this hour the town is still swinging. He tells listeners that any noises from the audiences are real, not canned. From this simple setup, this release captures live the excitement these two musical dynamos generated in an era, and in a town, ...


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