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James Ilgenfritz: Trio Caveat / Sound Infusion
by Kurt Gottschalk
Bassist James Ilgenfritz, it would seem, has been doing everything right in New York. He's been playing a lot, recording and organizing concert series at the downtown Elixir Smart Bar and The Tank in midtown. In a few years, the young player has built something of a community around him, which is what musicians in New ...
November 2005
by AAJ Staff
The Brian Blade Fellowship has a way of reminding one why music (not just jazz) matters. Gigging and recording infrequently, the group has nonetheless moved many with its cathartic mini-symphonies, so this Village Vanguard engagement was hotly anticipated. With saxophonist Chris Cheek standing in for Melvin Butler, Blade's lineup was otherwise close to that of the ...
Adam Rogers: Apparitions
by Francis Lo Kee
Though the liner notes, which contain plenty of quotes by Rogers, try to explain in a technical way what's going on in the music, Apparitions is music you can feel. The Tyranny of Fixed Numbers, the second track, is indeed a very original composition, though you're hit in the gut with guitar and tenor saxophone (Chris ...
Keith Jarrett: The Art of Improvisation
by Ty Cumbie
Keith JarrettKeith Jarrett: The Art of ImprovisationEuroarts 20541182005 When Keith Jarrett is in the zone his face takes on an expression of sublime agony reminiscent of a woman in the throes of childbirth. Creating music live for him is an act of profound, physical intensity: his entire body is tense ...
Marian McPartland: Piano Jazz with Teddy Wilson & Lionel Hampton
by AAJ Staff
By Chris DiGirolamo Over 25 years ago South Carolina Educational Radio gave us Marian McPartland's Piano Jazz , the long-running public radio program in which McPartland invites guest artists into her studio for candid one-on-one chats about music. Over 500 programs later we continue to be blessed with releases from some of the select sessions, such ...
Mark Samuels: Basin Street In and Out of New Orleans
by AAJ Staff
By Mark SamuelsWhen I was invited to have one of our many artists write for All About Jazz's Megaphone column, I envisioned sitting down on the phone with one of them and typing as they talked. What has happened in the two or three weeks since has been amazing and has kept us from ...
Peter Br: FMP 130
by Kurt Gottschalk
22 years hence, these European masters have pretty well cemented themselves in their own corners of the free improv universe: the fury, sometimes restrained, of Peter Brötzmann; the madness of Han Bennink; and the elegant wandering of Fred van Hove. But when they got together in Bremen on February 25, 1973, it was with a sense ...
Count Basie: Good Time Blues
by Donald Elfman
Is there any sound more timeless in all of jazz than that of the Basie Orchestra? The title of this new Pablo release might be a perfect description of the essence of the Basie band--except one might add the word swingin'. This is the band that perfected a sound and a feeling that define what's best ...
Harris Eisenstadt: Ahimsa Orchestra & Jalolu
by David Adler
With these two discs, we get two contrasting views of West Coast, now NYC-based drummer Harris Eisenstadt. class="f-left"> Harris Eisenstadt Ahimsa Orchestra Nine Winds 2005 Ahimsa Orchestra, on Vinny Golia's Nine Winds label, consists of two lustrous large-ensemble works written by Eisenstadt and inspired by Mahatma ...
Charlie Parker: The Genius of & Blue Bird
by AAJ Staff
By P. Christopher Dowd To approach the aesthetic history of jazz would unequivocally lead to Charlie Bird Parker. With the majority of musicians, we speak of their contributions to the musical lexicon in terms of what they added to the foundation. In the case of Charlie Parker, he didn't just contribute, he pulverized all that preceded ...

