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Albert Marquès / Rachel Therrien: Dialogue (Vol. I & II)
by Artur Moral
Except for the most radically experimental music, in a jazz context increasingly dominated by written scores that leave little room for improvisation, the appearance of a musical diptych centered on the latter is undoubtedly most welcome. This applies both to individual discourse and to creation shared simultaneously by various performers. Granted, many listeners may be absolutely ...



