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180

Article: Album Review

Mt. Hood Jazz Band and Combo 2007: I'm Still Here

Read "I'm Still Here" reviewed by Ken Dryden

by Ken Dryden

There is a certain level of expectation for student bands, but the music from this all-star group belies its members' tender years. Their ensembles are tight and the soloists play at a very high level. The Mt. Hood Jazz Band--well-directed by Susie Jones and consisting of musicians from the Pacific Northwest--performed at the 2007 IAJE Conference ...

311

Article: Album Review

Luis Bonilla: Terminal Clarity: Live at the Jazz Gallery

Read "Terminal Clarity: Live at the Jazz Gallery" reviewed by Laurel Gross

by Laurel Gross

During its first seconds, Trombonilla's Terminal Clarity: Live at the Jazz Gallery sounds like a band tuning up or a bit of traffic gridlock with an impatient honk or two. But then it advances full swing into an enjoyable post-bop exploration worthy of intent listening. Luis Bonilla, a talented and focused New York-based ...

239

Article: Album Review

The All Ear Trio: Boiler

Read "Boiler" reviewed by Robert Iannapollo

by Robert Iannapollo

Although born in Denmark, the peripatetic John Tchicai has been a true citizen of the world in his forty-plus years of performing. He has resided in various parts of the globe and been a willing collaborator with everyone from West African drum ensembles to electronic mavens Spring Heel Jack. But periodically, he seems to go back ...

91

572

Article: Profile

David Murray: Black Saint

Read "David Murray: Black Saint" reviewed by Russ Musto

by Russ Musto

The most widely recorded saxophonist of his generation, David Murray's brawny tenor has been heard in a dizzying array of configurations: solo recitals, piano-less trios, duets with pianists and drummers; with the World Saxophone Quartet and his own quintets, sextets and octets; fronting big bands and orchestras with string sections and Afro-Cuban percussion ensembles; in the ...

144

Article: Album Review

Jon Gordon: Within Worlds

Read "Within Worlds" reviewed by Ken Dryden

by Ken Dryden

Jon Gordon is easily one of the top alto saxophonists of his generation. He is well-versed in bop, though his eleventh CD as a leader (and second for ArtistShare) covers a lot of new ground, compiling music from several different sessions and focusing exclusively on his stimulating originals. His quintet session with pianist ...

263

Article: Album Review

Ryan Blotnick: Music Needs You

Read "Music Needs You" reviewed by Marcia Hillman

by Marcia Hillman

Guitarist Ryan Blotnick is on a journey of exploration on this, his first CD. All of the compositions are his originals with one exception--a ballad by alto saxophonist Pete Robbins. Blotnick is accompanied on this journey by Robbins as well as Albert Sanz (piano), Perry Wortman (bass) and Joe Smith (drums), a quintet that was assembled ...

168

Article: Album Review

Adam Rudolph's Moving Pictures: Dream Garden

Read "Dream Garden" reviewed by Jeff Stockton

by Jeff Stockton

They used to say that everyone who bought the first Velvet Underground record must have started a band. In time, we may come to realize that every jazz musician who moved into the area of World Music first caught the bug from Don Cherry's Mu, Brown Rice, or any of the other number of globally-minded records ...

157

Article: Album Review

Grupo Los Santos: Lo Que Somos Lo Que Sea

Read "Lo Que Somos Lo Que Sea" reviewed by Ernest Barteldes

by Ernest Barteldes

Grupo Los Santos is a New York-based group that successfully looks at Latin and Brazilian jazz from an American point of view. The result is a mixed sonic bag that allows influences from funk and East Coast jazz into the music without compromising the general sound and feel. At their CD release concert ...

333

Article: Album Review

Yale Strom: Borsht with Bread, Brothers

Read "Borsht with Bread, Brothers" reviewed by Elliott Simon

by Elliott Simon

Based largely on his many visits to Eastern Europe, violinist Yale Strom paints pictures in his music, writings and films of a pre-WWII shtetl music scene where Gypsy (Rom) and Jewish musicians slipped in and out of each other's traveling bands. This porous musical culture resulted in many of the tunes on Hot Pstromi's Borsht with ...


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