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Matt Mitchell: Vista Accumulation
by Hrayr Attarian
Composer and pianist Matt Mitchell creates haunting and vibrant soundscapes on his second release for Pi Records, Vista Accumulation. The eight, multilayered, originals that comprise the double disc set are organically fluid in structure with a tense ambience and a barely contained fervor within. Saxophonist and clarinetist Chris Speed opens the stimulating The Damaged ...
Marilyn Crispell / Gerry Hemingway: Table Of Changes
by John Sharpe
Although Table of Changes is only the third release from the pairing of pianist Marilyn Crispell and percussionist Gerry Hemingway, it comes relatively hot on the heels of Affinities (Intakt, 2011) which broke a long silence since Duo (Knitting Factory, 1989). The paucity of these occurrences belies an extensive shared tenure, both as part of reedman ...
Badi Assad at Iridium Jazz Club
by Ernest Barteldes
Badi Assad Iridium Jazz Club New York, NY October 20, 2015 Backed solely by her nylon-string electric guitar, Brazilian singer and guitarist Badi Assad took to the stage in her first U.S. tour since 2007 in support of her 2015 release Hatched (Quatroventos, 2015). Before playing, she ...
Karl Berger/Kirk Knuffke: Moon
by John Sharpe
Cornetist Kirk Knuffke joins veteran German vibraphonist Karl Berger for a poised meditative duet on Moon. The origins of the set lie in a meeting at a concert celebrating drummer Ed Blackwell in New York City after which Berger invited Knuffke to his Creative Music Studio to teach. So successful was the endeavor that the duo ...
Marike van Dijk: The Stereography Project
by Angelo Leonardi
Il fermento creativo in ambito orchestrale che caratterizza oggi la scena statunitense si arricchisce di una talentosa giovane sassofonista e compositrice olandese: Marike van Dijk. Trasferitasi a New York nel 2008 dopo un lunga pratica al sax contralto (dall'età di 11 anni) e un master degree al conservatorio di Rotterdam, la van Dijk ha ...
Devin Gray e il Questionario di Proust
by AAJ Staff
All About Jazz: Il tratto principale della mia musica. Devin Gray: L'improvvisazione. AAJ: La qualità che desidero nei musicisti che suonano con me. D.G.: La consapevolezza. AAJ: Come musicista, il momento in cui sono stato più felice. D.G.: Quando sento che il pubblico sta ...
Juilliard Jazz Ensemble at Dizzy's Club Coca-Cola
by Nick Catalano
One of the most important booking traditions established early on at Dizzy's Club Coca-Cola is Monday Student Night" where pupils are admitted for a small fee and are able to see and hear outstanding musicians. Very quickly, Mondays became showcases for two of Gotham's premier music schools--The Manhattan School of Music and The Juilliard School of ...
Fred Hersch Trio at The Village Vanguard
by Dan Bilawsky
Fred Hersch Trio Village Vanguard New York, NY October 26, 2015 While sitting in wait before a set at New York's Village Vanguard, the eyes are inevitably drawn to the various photos, posters, and odds and ends lining the walls--images and items that may seem random and incongruous to the ...
Art Lillard's On Time Trio at Sugarcane, Brooklyn
by Tyran Grillo
Art Lillard's On Time Trio Sugarcane Brooklyn, NY June 24, 2015 Attend jazz performances in a big city like New York long enough, and you're liable to realize how often the genre serves as a background to social activities. By the same token, music which isn't always fully acknowledged can peek ...
Mary Halvorson: Meltframe
by Stefano Merighi
Il primo disco di Mary Halvorson in solo sancisce la piena maturità acquisita dalla chitarrista bostoniana. Un'artista che folgora immediatamente oppure insospettisce, che appare come un'apprendista sempre in fase di studio oppure come una razionale dispensatrice di finezze da tempo metabolizzate. Fin dalle prime sortite in trio, o in gruppi più ...

