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Dom Minasi & Jack DeSalvo: Soldani Dieci Anni
by Mark Sullivan
Guitarist Dom Minasi is known as an experimentalist and free player, so there is much in this set of acoustic duets with fellow guitarist Jack DeSalvo that will confound expectations. Opener “The Indelible Delible" is a free improvisation with the expected outside playing and flurries of notes--but there is also some delicate textural playing. Then Minasi's ...
Erik Friedlander: Rings
by Jakob Baekgaard
Repetition is sometimes seen as a bad thing. The mundane cycle of everyday life involving the same actions. However, it is only through repetition that differences can occur. A weekend is only special because it stands out as a difference from the ordinary week. But repetition is not only useful as a way of appreciating difference, ...
2016 Taste of Chaos Tour: Dashboard Confessional, Taking Back Sunday, Motion City Soundtrack, Saosin and the Early November
by Mike Perciaccante
Dashboard Confessional, Taking Back Sunday, Motion City Soundtrack, Saosin and the Early November Nikon at Jones Beach Theater Taste of Chaos Wantagh, NY June 14, 2016 Emo is a style of rock music that resembles punk while having much more complex arrangements and erudite lyrics. One of the basic ...
Acclaimed Jazz-Rock Fusion Band Project Grand Slam To Release New Single "The Rescue” On July 1
Project Grand Slam, the acclaimed jazz-rock fusion band led by bassist/composer Robert Miller, will be releasing the first single from their upcoming full-length album, The Queen’s Carnival, on July 1. This single, “The Rescue”, draws from a variety of influences and highlights Miller’s unique approach to blending jazz and rock into a totally new sound. While ...
Dave Liebman Group: Expansions - The Puzzle
by Neri Pollastri
Registrato nella primavera del 2015, The Puzzle documenta il lavoro dell'attuale gruppo di Dave Liebman, Expansions, composto da uno storico collaboratore del sassofonista, il bassista Tony Marino, e da giovani musicisti che--con l'eccezione del batterista -contribuiscono tutti alle composizioni. Quattro di queste sono infatti di Liebman, due dell'ancista Matt Vashlishan, due di Marino e ...
The Hot Sardines at Central Park Summerstage
by Ernest Barteldes
The Hot Sardines Central Park Summerstage New York, NY June 25, 2016 On their Central Park Summerstage debut, the New York-based band led by Elizabeth Bougerol (vocals, washboard) and Evan Palazzo (piano, musical direction) kicked off their set with a selection of New Orleans-inspired adaptations of either jazz ...
Marcello Pellitteri: Acceptance
by Jim Olin
A heavy air of melancholy hangs over award-winning drummer/composer Marcello Pellitteri's new album Acceptance. There is a serious reason for this, a tragic one, in fact. The record is dedicated to Pellitteri's daughter Veronica, who died at a young age nearly two years ago. The pain of loss can be keenly felt on several tracks on ...
Gordon Beeferman: Four Parts Five
by Alberto Bazzurro
Disco assolutamente futile, persino fastidioso, nel suo incessante, inesorabile, impietoso rimuginare attorno a pochi patterns che vengono ripetuti per qualche decina di secondi (o più) ciascuno, per passare poi al successivo, e così via. Questo, lungo i quattro brani che compongono l'album (appena mezzoretta di musica, ma che fatica arrivare ciò nonostante alla fine!), senza soluzioni ...
Jane Ira Bloom: Early Americans
by Dan McClenaghan
One jazz music's premier soprano saxophonists, Jane Ira Bloom, crafted a career-defining recording with Sixteen Sunsets (Outline Records, 2013). So how does she follow that up? With an alteration of her quartet trajectory. Bloom's recorded output has consisted, over a career that began in the late 90s, of a series of mostly quartet sets, featuring terrific ...
Jon Madof: Blivet
by Luca Muchetti
Può ferire, può far sanguinare se maneggiato da mani incaute questo Blivet di Jon Madof, chitarrista abituato a frequentare la corte di John Zorn e Marc Ribot. Catchy fin dal primo brano: “Dime a Dozen," fantasmagoria funk che trasuda anni Settanta, è la luccicante apertura che, chiusa l'ubriacatura di chitarre in wha, si allontana senza farlo ...
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