Results for "New York City"

Daniel Bennett

Born: November 27, 1979

Critically-acclaimed Manhattan-based saxophonist Daniel Bennett has garnered feverish accolades for his unique brand of experimental "Folk Jazz." The Daniel Bennett Group has recently shared concert billings with artists like Bill Frisell, Charlie Hunter, Greg Osby, James Carter, Billy Martin (Medeski, Martin & Wood), Steve Kuhn, Jerry Bergonzi, and David Fiuczynski. The Village Voice raves, "saxophonist Daniel Bennett makes hay with an airy approach that's buoyant enough to conjure notions of East African guitar riffs and Steve Reich's pastoral repetition." The Boston Herald described Bennett's music as "exploratory folk-jazz hybrid."

George Shearing

Born: August 13, 1919

George Shearing enjoys an international reputation as a pianist, arranger and composer. Equally at home on the concert stage as in jazz clubs, Shearing is recognized for inventive, orchestrated jazz. He has written over 300 compositions, including the classic “Lullaby of Birdland,” which has become a jazz standard. Shearing was born in 1919 in the Battersea area of London. Congenitally blind, he was the youngest of nine children. His father delivered coal and his mother cleaned trains at night after caring for the children during the day. His only formal musical education consisted of four years of study at the Linden Lodge School for the Blind. While his talent won him a number of university scholarships, he was forced to refuse them in favor of a more financially productive pursuit…playing piano in a neighborhood pub for the handsome salary of $5 a week! Shearing joined an all-blind band in the 1930’s. At that time he developed a friendship with the noted jazz critic and author, Leonard Feather. Through this contact, he made his first appearance on BBC radio. In 1947, Mr. Shearing moved to America, where he spent two years establishing his fame on this side of the Atlantic. The Shearing Sound commanded national attention when, in 1949, he gathered a quintet to record “September in the Rain” for MGM. The record was an overnight success and sold 900,000 copies. His U.S. reputation was permanently established when he was booked into Birdland, the legendary jazz spot in New York. Since then, he has become one of the country’s most popular performing and recording artist. In 1982 and 1983 he won Grammy Awards with recordings he made with Mel Torme. Mr. Shearing was the subject of an hour-long television documentary entitled “The Shearing Touch” presented on the Southbank Show with Melvyn Bragg on ITV in the UK. Three presidents have invited Mr. Shearing to play at the White House.. Ford, Carter and Reagan. He performed at the Royal Command Performance for Queen Elizabeth II and Prince Philip. He is a member of the Friars Club and the Lotos Club in New York and the Bohemian Club in San Francisco. His awards and honors are many. In May 1975, he received an honorary degree of Doctor of Music from Westminster College in Salt Lake City. In May of 1994, Hamilton College in upstate New York awarded him another honorary doctorate in music. DePauw University in Greencastle, Indiana presented him with an honorary doctorate of music on June 1, 2002. He received the prestigious Horatio Alger Award for Distinguished Americans in 1978 and a community recreational facility in Battersea, south London, was named the George Shearing Centre in his honor. In May of 1993, he was presented with the British equivalent of the Grammy…the Ivor Novello Award for Lifetime Achievement. In June of 1996, Mr. Shearing was included in the Queen’s Birthday Honors List and on November 26, 1996 he was invested by Queen Elizabeth II at Buckingham Palace as an Officer of the Order of the British Empire for his “service to music and Anglo-US relations.” He was presented the first American Music Award by the National Arts Club, New York City, in March of 1998. In 1999, his 80^th birthday was celebrated in England where he played to a sold-out house at the Birmingham Symphony Hall. Also appearing with him were the BBC Big Band, the strings of the London Symphony, Dame Cleo Laine and John Dankworth. BBC Radio 2 presented a 2 1/2-hour “Salute to Shearing” in honor of his birthday. The following year another sold-out house at Carnegie Hall was treated to his birthday celebration featuring the George Shearing Quintet with Nancy Wilson, Dave Brubeck, Dr. Billy Taylor, the John Pizzarelli Trio, Tito Puente and Peter Schickele who brought a special greeting from PDQ Bach! Mr. Shearing’s biography, “Lullaby of Birdland,” published by Continuum, was released February 2005. In conjunction with the autobiography release Concord Records released a composite of Shearing recordings in a 2-CD set entitled “Lullabies of Birdland.: A Musical Autobiography” which was immediately followed up with “Hopeless Romantics” with Michael Feinstein. Concord then released the collectors set Mel Tormé & George Shearing The Concord Years. Mr. Shearing’s popularity continues to rise.

Wynton Marsalis

Born: October 18, 1961

Wynton Marsalis is an internationally acclaimed musician, composer, bandleader, educator and a leading advocate of American culture. He is the world’s first jazz artist to perform and compose across the full jazz spectrum from its New Orleans roots to bebop to modern jazz. By creating and performing an expansive range of brilliant new music for quartets to big bands, chamber music ensembles to symphony orchestras, tap dance to ballet, Wynton has expanded the vocabulary for jazz and created a vital body of work that places him among the world’s finest musicians and composers.

Marianne Solivan

Born: November 14, 1976

Quickly becoming one of the most buzzed about jazz singers on the New York scene, Marianne Solivan does not remember an “ah-ha” moment that brought her to the music she has devoted herself to: “I don’t recall having a big moment that made me like jazz. I just dug it.”

It is that same simplicity of statement with its intrinsic honesty that characterizes Solivan’s style. The infallible swing of Ella, the daring of Betty Carter, the matter-of factness of Carmen McRae…They can all be found in the voice of Marianne Solivan, whom trumpeter Jeremy Pelt has called “the modern-day paradigm to which all singers should aspire.”

Catherine Dupuis

Catherine brings an expressive warmth to her singing, as well as a skilled ability to communicate the emotional content of a lyric. Her unique abilities as a performer are a culmination of her natural talent, as well as her experience and training as an actress and vocalist. While at Indiana University's School of Music (from which she holds a B.S. in both Music and Theatre), she studied with the legendary Eileen Farrell, known not only for her work as one of the great contemporary operatic mezzo-sopranos, but also as one of the foremost interpreters of The Great American Song Book. While at Indiana University, Catherine performed with the highly regarded Singing Hoosiers under the direction of respected music educator Robert Stoll

Nora McCarthy

Born: February 1, 1950

Nora McCarthy has been a steady fixture on the New York music scene since 1996 when she recorded her first CD red&blue with pianist John diMartino, bass-Essiet Okon Essiet, drums-Alvester Garnett, t-sax-Mike Lee and percussionist, Sato Takeishi. She and her various groups have appeared in the top jazz rooms, performance spaces, concert halls, clubs, cafes and galleries in the city and elsewhere in the world. McCarthy possesses the earthiness of an early blues singer, the articulation, phrasing and timbre of a jazz trumpet. An adept and exhilarating improviser, she performs in every situation from duo to a twenty piece large ensemble from straight ahead jazz to the free and avant-garde idioms

Jan Leder

Born: May 19, 1958

A born-and-raised New Yorker, Jan Leder decided to pursue her love for improvisation after twelve years of studying classical music. She studied for three years with the late pianist Lennie Tristano and then continued her jazz studies with pianist Connie Crothers for over ten years. A self-styled course of study in jazz history at SUNY Purchase led to her compilation of the first comprehensive history of women in jazz entitled Women in Jazz: A Discography of Instrumentalists 1913-1968 (Greenwood Press 1985). Ms. Leder has enjoyed teaching jazz improvisation, although teaching has not figured prominently in her career. In 1999 Jan recorded Nonchalant (A-Records 2000), a collection of mostly original melodies

Bryan Davis

Born: October 17, 1974

Bryan Davis is a trumpet and flügelhorn player and teacher, originally from the UK, now residing in New York City, USA. He has gained an international reputation as a Lead Trumpeter, and is also highly regarded as a Jazz soloist. He received his formal musical training at Leeds College of Music but considers “the road” as his true education. With over 20 years of professional experience to his credit, Bryan continues to learn from the thousands of musicians he has performed with around the world. His trumpet teachers include J. Brian Brown, Richard Iles, Dick Hawdon, Gerard Presencer, Brian Lynch and Roger Ingram

Joe Lovano

Born: December 29, 1952

Grammy-winning saxophonist, composer and producer Joe Lovano is fearless in finding new modes of artistic expression. With a Grammy Win for his 52nd Street Themes and 14 other nominations, he has won Down Beat Magazine’s Critics and Readers Polls countless times as Tenor Saxophonist, Musician of the Year, Jazz Album of the Year and Triple Crowns from Downbeat. He has also gotten numerous awards from Jazz Times and the Jazz Journalists Association for Tenor Saxophone, Album of the Year and Musician of the Year. Born in Cleveland, Ohio on December 29, 1952 he attended the famed Berklee College of Music in Boston where years later he was awarded an Honorary Doctorate

William Hooker

Born: June 18, 1946

William Hooker's body of uninterrupted work beginning in the mid-seventies defines him as one of the most important composers and players in jazz. As bandleader, Hooker has fielded ensembles in an incredibly diverse array of configurations. Each collaboration has brought a serious investigation of his compositional agenda and the science of the modern drum kit. His work is frequently grounded in a narrative context. Whether set against a silent film or anchored by a poetic theme, Hooker brings dramatic tension and human warmth to avant-garde jazz. His ability to find fertile ground for moving music in a variety of settings that obliterate genre distinctions offers a much-needed statement of social optimism in the arts." Thomas Stanley. William Hooker (drummer,composer and poet) has created works that range from jazz and "new" music to experimental genres