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558

Article: Profile

Gebhard Ullmann

Read "Gebhard Ullmann" reviewed by Kurt Gottschalk

by Kurt Gottschalk

Gebhard Ullmann is a study in counterpoint. He is a composer of scores fluctuating from trio to tentet, building metered music without rhythm sections and has long called both New York and Berlin his homes, finding inspiration in each city. He has used rock listening and classical training as an inspiration for his jazz work, and ...

249

Article: Album Review

Jeff Marx: Treading Air, Breathing Fire

Read "Treading Air, Breathing Fire" reviewed by Celeste Sunderland

by Celeste Sunderland

An album becomes an extraordinary work when it features playing that ventures beyond a category of art created simply to tickle the senses. Tenor saxophonist Jeff Marx' second album, Treading Air Breathing Fire , ponders metaphysical relations on an immense scale. Most of the content takes the form of passionate dialogue between the four ...

192

Article: Album Review

Allison Miller: 5 am Stroll

Read "5 am Stroll" reviewed by Ken Franckling

by Ken Franckling

Allison Miller has been a busy member of the New York jazz scene for the past eight years, touring and/or recording with notable leaders from jazz as well as folk and pop music worlds, including Marty Ehrlich, Kitty Margolis, and Natalie Merchant. After some thirty recordings under her belt as a sidewoman, 5 am ...

97

Article: Album Review

Heavy Metal Duo: Work Songs and Other Spirituals

Read "Work Songs and Other Spirituals" reviewed by AAJ Staff

by AAJ Staff

The Heavy Metal Duo's Work Songs and Other Spirituals is the documentation of one of most unique duos working in jazz and perhaps in jazz history. Tubaist Bob Stewart has almost single-handedly expanded and redefined the tuba's role, and trombonist Ray Anderson covers the better documented and more extensive history of his horn with traces of ...

112

Article: Album Review

Wallace Roney: Prototype

Read "Prototype" reviewed by Russ Musto

by Russ Musto

Prototype is Wallace Roney's latest effort to blaze innovative new trails within the musical territory first explored by Miles Davis. The music that Roney and company put forth is simultaneously visceral and creative--revolutionary, but cognizant of popular tastes. The group--Roney's wife Geri Allen on piano, brother Antoine on saxophones, Davis alumnus Adam Holzman on keyboards, Matt ...

243

Article: Album Review

Big Satan: Souls Saved Hear

Read "Souls Saved Hear" reviewed by Sean Patrick Fitzell

by Sean Patrick Fitzell

Exorcising the demons with the fire and brimstone of a revivalist meeting, Souls Saved Hear marks the ferocious return of saxophonist Tim Berne's Big Satan. At just under 48 minutes -- the longest piece just over ten -- it is somewhat diminutive within Berne's catalog. But the taut arrangements distill the power of the performances. Focused ...

303

Article: Album Review

Helio Alves: Portrait in Black and White

Read "Portrait in Black and White" reviewed by Terrell Kent Holmes

by Terrell Kent Holmes

Brazilian pianist Helio Alves has put together Portrait in Black and White , a wonderful trio collaboration with bassist Santi Debriano and drummer Matt Wilson, who appeared recently at the Montréal Jazz Festival as part of the Charlie Haden Trio. The opener, “Frenzy," an Alves original, develops slowly within its circular theme, then accelerates ...

127

Article: Album Review

Maneri/Maneri/Phillips: Angles of Repose

Read "Angles of Repose" reviewed by Ty Cumbie

by Ty Cumbie

Angles of Repose is the brand new release of a 2-year-old recording made at Chapelle Sainte Philomène, an old chapel in the south of France. Mat and dad Joe Maneri brought the veteran bassist Barre Phillips into the fold for these very personal music-making sessions, and ECM saw fit to share the results with us. The ...

106

Article: Album Review

João Gilberto: In Tokyo

Read "In Tokyo" reviewed by Russ Musto

by Russ Musto

For fans of Brazilian music all over the world, the voice of João Gilberto is as familiar as that of a father or trusted family friend. The vocalist/guitarist's signature soft, hushed delivery redefined the bossa nova style in Brazil in the '50s and initiated its popularity in the U.S. (through his collaborations with Stan Getz) in ...

190

Article: Album Review

Various Artists: Yes Indeed! Women Vocalists on United

Read "Yes Indeed! Women Vocalists on United" reviewed by Andrew Rowan

by Andrew Rowan

This curio is more a snapshot of the jazz-influenced and -inflected popular singing of the time than a reflection of state-of-the-art jazz singing. Too many undistinguished arrangements and corny horn effects push these sides too far to the blatantly commercial side of the ledger. Most recognized among these singers today, of course, is Della ...


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