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Michael Brecker/Dave Liebman/Joe Lovano: Saxophone Summit: Gathering of Spirits
by Jeff Stockton
You could argue that every post-Coltrane recording of serious saxophone music has been informed by the legacy and spirit of the man himself. Yet it takes a musician (or musicians) of a particular stature and gravity to pull off an explicit tribute by interpreting some of his legendary compositions without sending you straight back to the ...
Jamie Baum: Moving Forward, Standing Still
by Sean Patrick Fitzell
Experimenting with unconventional instrumentation is sometimes just that--testing an idea to see if it works. On Moving Forward, Standing Still , her third release as a leader, flautist Jamie Baum assembles an atypical combination of instruments, starting with her own and adding Tom Varner's French horn, Ralph Alessi's trumpet and flugelhorn and Doug Yate's alto saxophone ...
Charles Mingus: Tonight at Noon
by Joel Roberts
A valuable reissue for Mingus fans, Tonight at Noon compiles five tunes originally recorded for two of the great bassist's most important album's, 1957's The Clown and 1961's Oh Yeah. Though the two sessions cover somewhat different stylistic ground, they blend together seamlessly and amount to much more than a haphazard assemblage of dusty outtakes. The ...
Bucky Pizzarelli: Flashes: A Lifetime in Words and Music
by Joel Roberts
Veteran guitarist Bucky Pizzarelli's latest is a master class in the art of the popular American song as interpreted by someone who's spent a lifetime perfecting the language of swing. Combining solo guitar and spoken reminiscences, Pizzarelli retraces his long career through exquisite renditions of standards associated with colleagues and mentors like Henry Mancini, ...
Rudresh Mahanthappa: Mother Tongue
by Terrell Kent Holmes
When Indian-American altoist Rudresh Mahanthappa was growing up outside of his family homeland, he was frequently asked Do you speak Indian?" or Do you speak Hindu?" The questioners were apparently unaware that India isn't a mono or bilinguistic country and that its landscape includes seven languages. His eventual response to this was Mother Tongue , a ...
Eli Degibri: In The Beginning
by Terrell Kent Holmes
Israeli-born tenor saxophonist Eli Degibri, who not too long ago cut his teeth playing with Herbie Hancock, has taken his own maiden voyage with his premiere CD release, the appropriately titled In the Beginning. Degibri composed most of the songs here, narratives defined by deft rhythm and tempo shifts and ample space for the musicians to ...
John Coltrane: Traneing In
by Florence Wetzel
In August 1957, John Coltrane was at a very interesting point in his career. His apprentice years in big bands long past, he had recently left the seminal Miles Davis quintet and was in the midst of a six-month run with Monk at the Five Spot. At the height of this fertile period, with so much ...
Freedomland: Yia Yia
by Jeff Stockton
Freedomland first put forth its low-end theory on 2002's Amusement Park , two 30-minute workouts recorded live at CB's Lounge in New York's East Village. This followup documents the same band a year later in the studio and reassures us that Freedomland's debut wasn't simply a one-off and that the band is a going concern.
Peter Leitch: Autobiography
by Ken Franckling
Guitarist Peter Leitch, a fixture on the New York jazz scene since emigrating from his native Canada in 1983, plays with a graceful bop style informed with swing and, at times, fiery passion. He draws like-minded players to his bands and many studio projects, as evidenced on his newest recording on Reservoir Music. Autobiography is a ...
Matthias Lupri: Transition Sonic
by Ken Franckling
More than five years on the road as a rock, blues and country drummer gave Matthias Lupri lots of days and nights to hone his craft as a vibes player and, as Transition Sonic so splendidly shows, to develop his skills and vision as a composer. This CD, featuring a sextet, is best heard ...

