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Results for "New York City"
Milt Jackson: Things are Getting Better; Bags Meets Wes
by Donald Elfman
Milt Bags Jackson gained international notoriety as the vibraphonist and co-leader of the Modern Jazz Quartet, in which setting his rich and warm sense of the blues, his solid swing and his mastery of technique on his instrument provided a somewhat more animated complement to the slightly more delicate and ethereal playing of pianist John Lewis ...
Steve Lacy:The Gap; Mal Waldron with the Steve Lacy Quintet
by AAJ Staff
Over a year ago we lost a pioneering musician who singlehandedly created a language for the soprano saxophone. Two overdue reissues from this year (both recorded in 1972) and a belated NYC tribute this month help us to commemorate his genius. Steve Lacy The Gap Verve/Free America 2005 ...
Roswell Rudd and the Mongolian Buryat Band: Blue Mongol
by Elliott Simon
Blue Mongol acquaints trombonist Roswell Rudd's unmatched tonal mastery with the musical traditions of Mongolia, resulting in the most culturally respectful, spiritually uplifting, and musically interesting release of the year. While the Mongolian Buryat Band's combined instrumental performances on bamboo flute, horse head bass and fiddle, dulcimer, lute, and zither are comparable to the best classically ...
Edmund Welles: Agrippa's 3 Books
by A. Henkin
After having been rescued from the back rows of the orchestra by '60s jazz, the bass clarinet has found many homes. Today the instrument is no longer rare, but it has become the province almost solely of the less composed spheres of the genre. That's a shame, really, because the bass clarinet can be one of ...
The Humus of Don Cherry
by Clifford Allen
If we're going to speak about words, we could talk about a word like 'aum.' Because you don't say the word 'aum,' you sing it. And you have to sing it where you use the 'a' as 'ah,' which is the throat. Then you're singing, sustaining the tone 'ah.' Then you go to the 'u,' and ...
George Lewis: AACM Veteran
by Brian P. Lonergan
After a nearly twenty-year absence, trombonist George Lewis has recently returned to New York City to live and work as the Edwin H. Case Professor of Music at Columbia University. An active composer and improviser with a deep interest and vast experience in computer music, Lewis has been a member of the Association for the Advancement ...
Jenny Scheinman: 12 Songs
by Sean Patrick Fitzell
The beguiling melodies draw listeners in. The lush instrumentation, evoking the parts of an orchestra, and vibrant ensemble playing hold their attention. Beautiful tunes with hints of humor and dedicated, unselfish performances coalesce on 12 Songs. The results satisfy deep, repeated listens and remain accessible enough to appeal to a wide audience without pandering.
Frode Kjekstad: New York Time
by Jack Bowers
Guitarist Frode Kjekstad is a Norwegian who makes himself at home in the Big Apple on this splendid album with New York companions Dr. Lonnie Smith, Byron Landham, and special guest Eric Alexander. To me, there are few musical alliances more pleasing than a guitar/organ/drums trio that sounds terrific and swings like a metronome, as this ...
Ezra Weiss: Persephone
by Celeste Sunderland
In Greek myth, when Hades abducted Demeter's daughter, the heartbroken harvest deity plunged the Earth into icy cold. But the gods were able to work out a deal. During part of the year, Persephone would reside with her husband in the underworld and winter would descend. When the beautiful being once again emerged to be with ...
Michael Attias: Renku
by Celeste Sunderland
Individual strengths can sometimes be overlooked in a musical group. The eternal quest for that momentous sound that occurs when the right guys play the right stuff at the right time can often overshadow the importance of the unique parts within the greater structure. Renku, saxophonist Michael Attias' two-year-old trio with bassist John Hebert and drummer ...

