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Results for "New York City"
Andrew Hill: Time Lines and Full Circles
by Paul Olson
Andrew Hill's a busy man. I'm playing in New York in March and after that, I'm going to Europe for a European promo for a few days with the quintet, he smiles. The next month, I'm touring Europe then touring Europe again a bit after that. I have a commitment to do a ...
American Roadwork / Sound on Survival Live
by Jeff Stockton
Lisle Ellis/Marco Eneidi/Peter Valsamis American Roadwork CIMP 2004 According to Robert Rusch's liner notes for American Roadwork, the Sound on Survival trio (alto saxophonist Marco Eneidi, bassist Lisle Ellis and drummer Peter Valsamis) played 21 shows in 21 days and logged an estimated 8,000 miles on the road ...
Cooper-Moore: Outtakes 1978
by Jeff Stockton
About ten years ago, Cooper-Moore was a bona fide man of mystery. He had a reputation as a formally trained, creatively inspired master improviser who was fluent on just about any instrument he touched (particularly the piano), but he was also in possession of a notoriously maverick heart. It was said he would only perform and ...
Derek Bailey: Carpal Tunnel
by Kurt Gottschalk
In 1977, suffering complications from a stroke that paralyzed the left side of his body, Rahsaan Roland Kirk made his way to Regent Sound Studios in New York to record what would become his final album, Boogie Woogie String Along For Real. Having long since devised a way to play saxophone with one hand (the technique ...
Ryan Kisor Quintet: This is Ryan
by Judith Insell
This is Ryan continues to confirm that trumpeter Ryan Kisor is more than a young lion, a label he received after winning the Thelonious Monk Competition back in 1990. At the still young age of 32, he is continuing in the tradition of the modal-minded trumpet players who preceded him, sounding like he comes from the ...
Jay Clayton: All Out
by Marcia Hillman
This reissue of All Out, Jay Clayton's 1980 debut, is a well-done exercise in the voice as instrument. Clayton occupies her own niche, exploring a freestyle, improvisational approach to vocals. She collaborates with Jane Ira Bloom (soprano and alto sax), Larry Karush (piano), Harvie S (bass), Frank Clayton (drums) and Bill Buchen (kalimba), as well as ...
Sweet Sue Terry: Gilly's Caper
by Russ Musto
Saxophonist Sweet Sue Terry's second self-released album is a soundtrack of sorts for the accompanying short story from which the date takes its title. The music, a tale of international intrigue, is similarly worldly. The opening Terra Incognita (titled after a bar in the story) is a curious samba with Michael Rabinowitz's bassoon and T. Ice's ...
Gloria Cooper: Dedicated to You
by Marcia Hillman
This very pleasing offering came as a result of Gloria Cooper's editing of the Second Floor Music publication Sing Jazz. She was not familiar with many of the songs covered in the publication, prompting her to record a new disc featuring some of this material. A large number these songs started out as ...
Gregory Tardy: The Truth
by Matthew Miller
Of the many stars to have emerged on the jazz horizon during the '90s, one of the most disciplined, emotive and perhaps underrated is the multifaceted Gregory Tardy. The Truth finds him leading a stellar quintet with trumpeter Marcus Printup, pianist Helen Sung, the propulsive bassist Sean Conly, and the talented drummer Jaimeo Brown.
Art Blakey and the Jazz Messengers: Live at Slug's, NYC
by David Rickert
Many of Art Blakey's Jazz Messengers left the group to build successful careers of their own. However, in between Lee Morgan and Wayne Shorter and the Marsalises was this curious 1968 band, made up largely of talented unknowns. This particular version of the band never made it into the studio, and this live recording from Slug's ...

