Sweet Sue Terry: Gilly's Caper

"Desert Moon reflects upon a fictional night in Tunisia, with the leader's alto soaring over an exotic atmosphere produced by Ice's hadjini and Rubin's guitar effects. Terry plays the sultry songstress to great effect on "New Year, singing in a melancholic whisper to interject a film noir ambiance into the proceedings. "Seal of Solomon (the narrative's Holy Grail) is a pensive piece that showcases Terry's soprano sax and tastefully restrained solos from Rubin and Dorsey. The date's title track, its most straight-ahead song, is a modal tune somewhat reminiscent of "So What, with plenty of blowing room for the members of the quartet to show off their bop chops.

The remainder of the disc, though not directly related to the short story, appropriately complements the music that precedes it. "Waterwheel, an older Eastern-tinged Terry composition written for a tea ceremony, maintains the exotic mood, with Ector switching from trap drums to djembe and chekere. Perhaps the most ambitious track, "Filigree, is Terry's dedication to the late Steve Lacy. Opening dramatically with Ice's echoing gong, the powerful music utilizes shifting meters to create what the composer (featured on soprano) describes as "the aural equivalent of an optical illusion.

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