Home » Search Center » Results: Nels Cline
Results for "Nels Cline"
Get Theyself to the Garden Party
by Patrick Burnette
A couple of catalog items, a couple of brand new releases—hey, you've got yourself a podcast! Talk ranges from a little-known seventies progressive jazz outing to a classic ECM eighties joint and then turns to two releases so hot off the presses the internet is still sizzling. In pop matters, Mike breaks down a Rudresh Mahanthappa ...
Michael Leonhart: Suite Extracts Vol. 1
by Angelo Leonardi
Credo proprio di non esagerare ma è dall'uscita di There Comes a Time di Gil Evans che non ascoltavo un album orchestrale così eclettico nella sintesi di materiali diversi. Il nuovo disco di Michael Leonhart segue il debutto di The Painted Lady Suite (Sunnyside 2018), il maestoso affresco musicale che evocava l'impressionismo del primo Evans, con ...
Kris Davis: Diatom Ribbons
by Troy Dostert
To call pianist Kris Davis stylistically omnivorous would seem to be an understatement. While she started her career solidly in the avant-garde circles that brought her into projects with stalwarts of the genre like Ingrid Laubrock, Tyshawn Sorey, Tom Rainey and Tony Malaby, that hasn't stopped her from forging connections with other musicians not typically included ...
Kris Davis: Diatom Ribbons
by John Sharpe
Cross fertilization has been at the heart of jazz since its inception when African rhythms met European instrumentation. That stylistic melange is taken to another level in the cultural melting pot of New York City. Being based in the city since 2001, it's little surprise that Canadian pianist Kris Davis has developed an ever-expanding list of ...
Kris Davis: Diatom Ribbons
by Karl Ackermann
The virtuoso pianist and composer Kris Davis has been ubiquitous in 2019. Her projects with Nate Wooley, Ken Vandermark, and Craig Taborn have been complemented by her appointment to the faculty of the Berklee Institute of Jazz and Gender Justice. Davis will serve as associate director of creative development and teach composition and improvisation courses. The ...
Larry Ochs, Nels Cline, Gerald Cleaver: What Is To Be Done
by Giuseppe Segala
"Siamo arrivati. Abbiamo improvvisato. Siamo partiti. Ogni serata è piuttosto diversa." Così Nels Cline, parlando di questo trio. Due lunghi brani con prevalenza di episodi abrasivi, arroventati, della durata di più di venti minuti ciascuno, e un terzo più disteso, seppure ricco di tensioni interne, molto più breve, a fare da cuscinetto, da valvola di relax, ...
Anthony Braxton: Quartet (New Haven) 2014
by Mark Corroto
If, as an Anthony Braxton listener, you are confounded by his numeric compositional titles and and hieroglyphic scores, finding this music dedicated to rock, blues, funk and country music legends may give you some relief, albeit temporary. Quartet (New Haven) 2014 is a one-off meeting of the avant-garde's avant-gardist and today's heroes of both rock and ...
Ben Goldberg: Good Day For Cloud Fishing
by Mark Corroto
Poetry and jazz, jazz and poetry, which came first? Ben Goldberg poses that same question with Good Day For Cloud Fishing. His answer to the philosophical 'chicken or the egg' riddle is well, both. Sure, Homer wrote the Iliad centuries before King Oliver put cornet to lips, but damn if there wasn't some gutbucket rhyming to ...
Bobby Previte: Rhapsody
by Stefano Merighi
Rhapsody è la seconda parte della trilogia che Bobby Previte ha dedicato al tema del viaggio e dello sradicamento, intitolata Terminals. Si tratta di un lavoro ardito e complesso che testimonia della sensibilità che il batterista e compositore americano ha maturato in questi anni e che lo colloca in una dimensione assai diversa rispetto al jazz ...
Paul Bley, Yazz Ahmed, Gianluigi Trovesi, Matthieu Michel and tons of great new releases
by Ludovico Granvassu
Accordion players, saxophonists, clarinet and trombone players as well as compelling singers are at the heart of this week's focus on new releases. Give a listen and then make sure to support the musicians and the labels that put out this amazing music so that the prolific jazz phase we live in can go on, and ...
