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Nat King Cole: Straighten Up and Fly Right – The Best of Hittin’ the Ramp: The Early Years (1936-1943)
by Mark Sullivan
Hittin' the Ramp: The Early Years (1936-1943) (Resonance Records, 2019) is a treasury of Nat “King" Cole's earliest recorded work, documenting his mastery of jazz piano and vocals long before he became a popular singing star. But at seven CDs or 10 LPs, it's a lot of music, perhaps too much for a casual or curious ...
Orice Jenkins: Centennial Cole
by Angelo Leonardi
Nel suo pregevole secondo album (Soar, Truth Revolution Records 2016) Orice Jenkins aveva già cantato uno dei successi di Nat King Cole -"When I Fall In Love" -rendendo esplicite la vicinanza affettiva e la somiglianza stilistica con quel grande interprete. La giovane voce del cantante di Hartford (Connecticut) non ha ancora la profondità e ...
Chuck Granata: On Sinatra, The Beach Boys, and Johnny Mandel
by Nicholas F. Mondello
Chuck Granata is a record and radio producer, author, music historian and archivist. He has written four books on music and sound recording: Sessions with Sinatra: Frank Sinatra and the Art of Recording (Chicago Review Press, A Capella Books, 1999), Wouldn't it be Nice: Brian Wilson and the Making of the Beach Boys' Pet Sounds (Chicago ...
Chiara Pancaldi: Alla Ricerca di Sè Stessi
by Paolo Marra
Precious è il nuovo disco di Chiara Pancaldi, il terzo registrato per la prestigiosa etichetta olandese Challenge Records. In questo lavoro, composto quasi interamente da brani originali, la cantante affianca per la prima volta il ruolo di interprete di standard a quello di compositrice, mettendo le sue doti ormai affermate al servizio di una musica più ...
John Pizzarelli Trio at Keystone Korner
by Mark Robbins
From 1972 to 1983 NEA Jazz Master's award recipient Todd Barkan operated San Francisco's Keystone Korner as one the preeminent jazz clubs in the country. Performers such as Sonny Rollins, Miles Davis, Art Blakey, Betty Carter, McCoy Tyner and so many more played on the Korner's stage until, due to financial difficulties, Barkan had to close ...
Anthony Jefferson: All I Am
by Nicholas F. Mondello
Male vocal artists such as Al Jarreau, George Benson, Luther Vandross, Lou Rawls, Brook Benton, et al maintained the vibrancy of the classic crooners of the Golden Age—Frank Sinatra, Nat King Cole, Johnny Mathis, et al. With All I Am Anthony Jefferson does a superb job of artistically paying tribute to many of these iconic names—and ...
Jazz at Lincoln Center Orchestra with Wynton Marsalis: Big Band Holidays II
by Chris M. Slawecki
Jazz at Lincoln Center Big Band Holiday concerts, featuring the JALC Orchestra with Managing and Artistic Director Wynton Marsalis and guests, are a welcome addition to New York City holiday jazz traditions. Big Band Holidays II presents the second set of live recordings from these concerts beginning from 2015, the year that the JALC Orchestra released ...
Back in the Day, Around the World
by Chris M. Slawecki
Brooklyn Funk Essentials Stay Good Dorado Records 2019 Back in the day, jazz bands like Roy Ayers' Ubiquity and soul bands like the Ohio Players played more than jazz and soul. Jazz and soul were their main ingredient, but only one ingredient among others stirred in ...
Charleston Jazz Festival 2020
by Martin McFie
Various Venues Charleston Jazz Festival Charleston, SC January 23-26, 2020 Jazz Festivals are like people, six years old is still in infancy, but everything has to start somewhere. Historically, the city which gave birth to the Charleston dance craze and was the inspiration for Gershwin's Porgy and Bess, deserves The Charleston ...
2019: The Year in Jazz
by Ken Franckling
The year 2019 was robust in many ways. International Jazz Day brought its biggest stage to Australia. An important but long-shuttered jazz mecca was revived in a coast-to-coast move. ECM Records celebrated a golden year. The music and its makers figured prominently on the big screen. The National Endowment for the Arts welcomed four new NEA ...
