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Results for "Nana Vasconcelos"
Things We Like: Ottobre 2016
by AAJ Staff
Finito il mese di ottobre, riprendiamo la vecchia rubrica “Things We Like," dove, un po' per passione e un po' per gioco, descriviamo le cose (musicali e non) che ci rimarranno impresse del mese appena trascorso. Alberto Bazzurro Ottobre, mese pre-referendario per eccellenza (non quel referendum...), si porta generalmente appresso una caterva ...
Ferenc Snetberger: In Concert
by Mark Sullivan
Hungarian classical guitarist Ferenc Snétberger makes his ECM debut with a live solo guitar recording, surely the most demanding and revealing format for any guitarist. His music is the product of diverse stylistic influences: starting with jazz, but then a strong classical music influence, followed by exposure to Brazilian, South American, and flamenco guitar music. Snétberger ...
John Abercrombie on ECM - Part 1: Through the '80s
by Budd Kopman
Now that the The First Quartet set of recordings by guitarist/composer John Abercrombie from 1979-1981 has been released, it is as good a time as any to explore Abercrombie's career on ECM as a leader/co-leader, plus some his work as a sideman. There is a famous epithet from Bill Evans: “Jazz is not a ...
Manu Katche: Touchstone for Manu
by John Kelman
With only four records released as a leader on ECM, it may seem a little early to release a “best of" disc for drummer Manu Katché. But having since moved on to fellow German label ACT for Live in Concert, while Touchstone for Manu is only being released in North America in the summer of 2015, ...
Pat Metheny Group: Travels
by John Kelman
Pat Metheny GroupTravelsECM Records 1983 There are some records that cannot help but become etched in the memory as a reminder of times past... a happy circumstance, perhaps, or (though hopefully not) something less positive in one's life. Today's Rediscovery is an album that, no matter the time of year, ...
Lyle Mays: Lyle Mays
by John Kelman
Lyle MaysLyle MaysGeffen Records1986 Today's Rediscovery falls under the category of “where is he now?" I first heard of keyboardist Lyle Mays in 1977, when Gary Burton's quartet (with guest Eberhard Weber), played at the Glebe Collegiate High School auditorium in my home town of Ottawa, Canada. After the show, speaking ...
Various Artists: Creative Music Studio Archive Selections Vol. 1
by Giuseppe Segala
Ecco alcune gemme uscite dagli archivi del Creative Music Studio, l'istituzione fondata nel 1971 da Karl Berger, dalla moglie Ingrid e da Ornette Coleman con lo scopo di realizzare musica senza costrizioni di carattere stilistico o commerciale. Ricordiamo le interessanti considerazioni al riguardo di George Lewis, che nel suo testo A Power Stronger Than Itself. The ...
Norma Winstone: Dance Without Answer
by John Kelman
If there's a single accomplishment that can be attributed to ECM Records--though there are, of course, many in its 45-year history--it's that it welcomes unusual instrumentation with open arms, affording such collaborations the opportunity to grow, to evolve, and build a new language. From the pan-cultural CODONA Trilogy (2009), which collected the three genre-defying recordings made ...
Marco Eneidi: Pallettes of Color & Sound
by Anna Poczatek
Marco Eneidi seems to become a forgotten artist. Which is odd, at the very least, because his improvisation workshops are attended by the first seat of the Tonkünstler-Orchester Niederösterreich, and because, in just the past few years, the saxophonist has played with artists including pianist Cecil Taylor, guitarist Joe Morris, reed multi-instrumentalists Roscoe Mitchell, Peter Brötzmann ...
ECM: A Cultural Archeology
by John Kelman
ECM: A Cultural ArcheologyHaus der KunstMünchen, GermanyNovember 23, 2012-February 10, 2013A trip to München (Munich) is a bit like a pilgrimage for fans of Germany's ECM label, especially right now, with the city's Haus der Kunst hosting a three-month exhibition, ECM: A Cultural Archeology, celebrating the music of this nearly 44 ...
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