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7

Article: Interview

Yacine Boularès: Coltrane by way of Descartes

Read "Yacine Boularès: Coltrane by way of Descartes" reviewed by Ludovico Granvassu


Saxophonist Yacine Boularès took the road less travelled to discover and develop his passion for jazz. After graduating in philosophy from the prestigious Sorbonne University in Paris, he felt the urge to put into practice the notions of aesthetics he had researched for his dissertation. Following his studies at Paris' Conservatoire National Supérieur de Musique and ...

2

Article: Live Review

French Connections - The Jazzdor Experience

Read "French Connections - The Jazzdor Experience" reviewed by Henning Bolte


Jazzdor is a French festival with two annual editions. The main part is held in the Strasbourg area (France) in November and the other one in Berlin (Germany) in June. Both editions present a considerable number of bilateral and multilateral collaborations; an essential part of the festival's philosophy and policy. The Strasbourg festival is ...

4

Article: Interview

Basilio Sulis: Ai Confini tra Sardegna e Jazz

Read "Basilio Sulis: Ai Confini tra Sardegna e Jazz" reviewed by Paolo Peviani


Basilio Sulis, storico direttore artistico del festival Ai Confini tra Sardegna e Jazz, è deceduto questa mattina, 11 Novembre 2020. Visionario e anticonformista, ironico e penetrante, appassionato e al tempo stesso lucidamente disincantato, era un acuto osservatore dei fenomeni musicali, culturali, sociali. Lo ricordiamo ripubblicando questa intervista, raccolta nel corso dell'edizione 2017 del ...

15

Article: Album Review

Dominic Miller: Silent Light

Read "Silent Light" reviewed by Mark Sullivan


Classical guitarist Dominic Miller makes his ECM debut with a largely solo program. It's a gentle, lyrical affair, reflecting his experience living in Argentina, the United States, England, and France, as well as decades of international touring as a working musician. The Brazilian influence is especially strong in pieces like opener “What You Didn't Say" and ...

2

Article: Live Review

Balé Folclórico de Bahia at Zellerbach Hall

Read "Balé Folclórico de Bahia at Zellerbach Hall" reviewed by Harry S. Pariser


Balé Folclórico de BahiaZellerbach HallCal PerformancesBerkeley, CaliforniaMarch 5, 2017 “Dance is the most universal art that we have. During the primitive era we danced for the sun, wind and rain. Dance was the first expression of the human race and it is the most universal language. We are able to ...

27

Article: Rediscovery

Five Classic ECM Titles in High Res

Read "Five Classic ECM Titles in High Res" reviewed by John Kelman


If ever there were a label that deserved to have its catalog released in a high resolution format, it's Munich's ECM Records. Since its inception in 1969, the multiple award-winning record label headed by producer Manfred Eicher has truly redefined how, initially, jazz and improvised music recordings could--and, at least for some, perhaps should--sound. Attention to ...

Article: Lyrics

Things We Like: Ottobre 2016

Read "Things We Like: Ottobre 2016" reviewed by AAJ Staff


Finito il mese di ottobre, riprendiamo la vecchia rubrica “Things We Like," dove, un po' per passione e un po' per gioco, descriviamo le cose (musicali e non) che ci rimarranno impresse del mese appena trascorso. Alberto Bazzurro Ottobre, mese pre-referendario per eccellenza (non quel referendum...), si porta generalmente appresso una caterva ...

16

Article: Album Review

Ferenc Snetberger: In Concert

Read "In Concert" reviewed by Mark Sullivan


Hungarian classical guitarist Ferenc Snétberger makes his ECM debut with a live solo guitar recording, surely the most demanding and revealing format for any guitarist. His music is the product of diverse stylistic influences: starting with jazz, but then a strong classical music influence, followed by exposure to Brazilian, South American, and flamenco guitar music. Snétberger ...

4

Article: Multiple Reviews

John Abercrombie on ECM - Part 1: Through the '80s

Read "John Abercrombie on ECM - Part 1: Through the '80s" reviewed by Budd Kopman


Now that the The First Quartet set of recordings by guitarist/composer John Abercrombie from 1979-1981 has been released, it is as good a time as any to explore Abercrombie's career on ECM as a leader/co-leader, plus some his work as a sideman. There is a famous epithet from Bill Evans: “Jazz is not a ...

33

Article: Interview

Marilyn Mazur: The Song in the Woods

Read "Marilyn Mazur: The Song in the Woods" reviewed by Adriana Carcu


Danish drummer, percussionist and composer Marilyn Mazur reached iconic status on the contemporary jazz scene in the early years of her career. Playing in the eighties with titans Miles Davis, Wayne Shorter and Gil Evans, she later joined Jan Garbarek's group and was instrumental in some of the musician's most significant projects at the ...


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