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223

Article: Album Review

Sarah Wilson: Trapeze Project

Read "Trapeze Project" reviewed by Eyal Hareuveni


San Francisco-based trumpeter/vocalist Sarah Wilson is gifted with idiosyncratic and fresh composing skills that are so rare in jazz musicians who have gone through the formal avenues of jazz education. Her career began when she composed and played music for the Bread and Puppet Theater troupe; continued by studying with esteemed trumpeters John McNeil and Laurie ...

662

Article: Live Review

Mark Dresser Quintet Live at Dizzy's, San Diego

Read "Mark Dresser Quintet Live at Dizzy's, San Diego" reviewed by Robert Bush


Mark Dresser QuintetDizzy'sSan Diego, CAOctober 10, 2010 Double bass virtuoso Mark Dresser is a player whose expertise in multiple genres defies categorization. His is the story of the student becoming the maestro. Growing up, he was inspired by rock guitarist Jimi Hendrix, and bassist/composer Charles Mingus, and he began his ...

336

Article: Album Review

Kris Davis: Good Citizen

Read "Good Citizen" reviewed by Mark F. Turner


It's just a coincidence that pianist Kris Davis has had three stunning trio recordings released in 2010. There are the two on Clean Feed Records--Paradoxial Frog, a brilliant joint collaboration with drummer Tyshawn Sorey and saxophonist Ingrid Laubrock; and Three by the SKM trio, with Davis joined by saxophonist Stephen Gauci and bassist Michael Bisio. But ...

654

Article: Live Review

Under the Big Top: Detroit's 31st Year Hits a High Note

Read "Under the Big Top: Detroit's 31st Year Hits a High Note" reviewed by C. Andrew Hovan


31st Annual Detroit Intermational Jazz FestivalHart PlazaDetroit, MichiganSeptember 3-6, 2010Last year may have been their 30th anniversary year, but this past Labor Day weekend, The Detroit Jazz Festival pulled out all the stops for what had to be one of the most memorable line-ups of recent memory. Mother Nature would cooperate ...

362

Article: Album Review

Mary Halvorson: Saturn Sings

Read "Saturn Sings" reviewed by Chris May


The arrival of a new star in the jazz guitar cosmos, and the chance it offers to wrest a little more of the instrument back from the smooth and fusion apes, is always something to celebrate. The emergence of Brooklyn-based Mary Halvorson, who debuted as a bandleader in 2008 with Dragon's Head (Firehouse 12 Records), has ...

160

Article: Album Review

Sarah Wilson: Trapeze Project

Read "Trapeze Project" reviewed by Bruce Lindsay


Few contemporary jazz musicians can have paid their dues in the esoteric environment of a puppet theater, but for Sarah Wilson the Bread and Butter Puppet Theater proved to be an invaluable part of her musical education. Trapeze Project, the trumpeter's second album, is such an engaging and evocative recording that maybe more jazz players should ...

1,192

Article: Interview

Eric Zinman: The Piano as Endangered Species

Read "Eric Zinman: The Piano as Endangered Species" reviewed by Brian Wrentham


For over twenty years, pianist/composer Eric Zinman has been crafting his own approach to his instrument, since meeting trumpeter Bill Dixon in the '80s. He views himself as an ensemble player, who plays to include; in addition to his own writing, his trio disc, Eric Zinman Ensemble (Cadence, 2006), features short pieces by John Voigt, Laurence ...

229

News: Interview

Drummer Allison Miller Interviewed at AAJ

Drummer Allison Miller Interviewed at AAJ

It takes a rare individual to excel in multiple artistic genres, particularly when success unfolds in the public spotlight and presents very different contexts. Certainly technical ability is important, but it also takes a peculiar blend of flexibility, curiosity, and determination. Perhaps that is what makes drummer, composer, bandleader, and outspoken feminist Allison Miller such a ...

845

Article: Interview

Allison Miller: Breaking Ground

Read "Allison Miller: Breaking Ground" reviewed by Franz A. Matzner


It takes a rare individual to excel in multiple artistic genres, particularly when success unfolds in the public spotlight and presents very different contexts. Certainly technical ability is important, but it also takes a peculiar blend of flexibility, curiosity, and determination. Perhaps that is what makes drummer, composer, bandleader, and outspoken feminist Allison Miller such a ...

566

Article: Multiple Reviews

Bare Bones Improvisation: A Challenge Rewarded

Read "Bare Bones Improvisation: A Challenge Rewarded" reviewed by Mark Corroto


Mood, ambiance and atmosphere are the basic building blocks of music making. Taken at its essence, music is made up of these three components. In generating sound--especially experimental, improvised sound--getting to the essence is a major victory for musicians. And, although it may appeal only to the adventurous listener, there is an importance to bare bones ...


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