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Kasper Staub: Slow Music for Fast Times
by Jakob Baekgaard
Pianist Kasper Staub entered the Danish jazz scene with his trio back in 2012 when he released the album / . The music was just as sparse as the title and introduced a fragile, airy sound, with simple melancholy melodies that were quite unlike anything on the Danish jazz scene at that time. Since then, Staub ...
The Rarest of Ivories: Fred Hersch, Joey Alexander, Eliane Elias and Renee Rosnes
by Doug Collette
One of jazz music's most durable and venerated instrumental formats, the piano-led ensemble, trio and otherwise, has proven flexible beyond its surface simplicity, particularly in the hands of ingenious musicians like Fred Hersch, Joey Alexander, Eliane Elias and Renee Rosnes. Such composers/players, along with their esteemed accompanists, have optimal opportunity to bring their intrinsic creativity to ...
Basic Beauty: Arthur Blythe on Columbia
by Jakob Baekgaard
Back in 2016, BGO Records started reissuing the complete works of alto saxophonist Arthur Blythe (1940-2017) on Columbia. The first volume containing Lenox Avenue Breakdown (1979), In the Tradition (1980), Illusions and Blythe Spirit (1981) has already been reviewed on AAJ. The following two volumes complete the project of putting an important body of work from ...
Brazilian Brilliance: Kassin and Domenico Lancellotti
by Jakob Baekgaard
Brazilian music is much more than established icons like Antonio Carlos Jobim, Gilberto Gil and Hermeto Pascoal. The question is where to find the musical voices of the future? Fortunately, David Byrne's Luaka Bop label is dedicated to a mission of releasing world music that goes beyond the mainstream and has released two Brazilian albums from ...
Clean Feed 2018
by Mark Corroto
Since it's inception in 2002, Lisbon, Portugal's Clean Feed Records has released nearly 500 recordings. Last year the total was 64. Keeping up with their output might be the best way to follow innovative jazz and improvised music in the 21st century. Besides releasing music by masters such as Peter Brotzmann, Joe McPhee, Ivo Perelman, Elliott ...
Nylon Strings and Other Things: Albums by Jean Chaumont and Kreisberg/Veras
by Patrick Burnette
Nylon-string acoustic guitars don't crop up in jazz all that often, but when they do the results can be delightful. Below I discuss two very different albums which incorporate that distinctive sound. The Beauty of Differences Misfitme 2018 Jean Chaumont's album The Beauty of Differences bogs down in ...
Jazzing Up Childhood Memories
by Jerome Wilson
Jazz musicians today sometimes draw on all sorts of popular culture for inspiration, including the television shows they grew up with. Here are two fine examples. The Flying Horse Big Band The Bat Swings! Flying Horse Records 2018 The University of Central Florida's Flying Horse Big Band presents a ...
The Art of the Quintet: Voro Garcia and Magnus Thuelund
by Jakob Baekgaard
A good form is hard to find, but the quintet offers plenty of variety in terms of musical texture and yet has the intimacy that a larger band often misses. Here are two artists who both take full advantage of the format of the quintet. Both are leaders who write their own tunes, and both are ...
The Eclectic Sounds of ears&eyes
by Jakob Baekgaard
Whereas some record labels try to limit their aesthetic to a certain sound, others take pride in challenging the conventions of genre. Matthew Golombisky, the founder of ears&eyes Records, belongs to the latter category. His philosophy is very clear, as he points out in the label profile that can be read on this site: My motto ...
Iain Matthews: Redefining Eclectic
by Doug Collette
Few if any contemporary pop or rock artists have maintained a career as long and varied as Iain (nee Ian), Matthews, so his eclectic discography deserves the robust informational and graphical archiving of Omnivore Recording. Moving from his early days as a member of Fairport Convention, the man formed Southern Comfort and moved into more conventional ...

