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180

Article: Multiple Reviews

Avery Sharpe: Legends & Mentors; Autumn Moonlight

Read "Avery Sharpe: Legends & Mentors; Autumn Moonlight" reviewed by Terrell Kent Holmes


Avery SharpeLegends & MentorsJKNM2009 Avery SharpeAutumn MoonlightJKNM2009 Few bassists in jazz have Avery Sharpe's technique and imagination. A pair of recent releases, different in focus but with a shared overall ...

276

Article: Multiple Reviews

Blame it on the Bossa Nova: Brazil's Other Musics

Read "Blame it on the Bossa Nova: Brazil's Other Musics" reviewed by Elliott Simon


Jovino Santos Neto & Weber IagoLive at CaramoorAdventure Music2008 Felipe SallesTimelineCurare Records2009 Yamandu CostaMafuáAcoustic Music2008 One unfortunate outcome of Brazilian bossa nova's ...

234

Article: Multiple Reviews

Terell Stafford Shares Brotherly Love, Organ Fever

Read "Terell Stafford Shares Brotherly Love, Organ Fever" reviewed by Laurel Gross


Clayton BrothersBrother to Brother ArtistShare 2008 Tim WarfieldOne for Shirley Criss Cross 2008 Playing favorites can be a subjective enterprise but it would take a real grouch to insist that ...

266

Article: Multiple Reviews

Following in Bechet's Footsteps

Read "Following in Bechet's Footsteps" reviewed by Ken Dryden


Bob Wilber with Clark Terry Blowin' the Blues Away Classic Jazz 2008 Nik Payton and Bob Wilber Swinging the Changes Arbors 2008 Soprano Summit 1975...and more! Arbors

296

Article: Multiple Reviews

Marc Ribot: El General & Italian Doc Remix

Read "Marc Ribot: El General & Italian Doc Remix" reviewed by Stuart Broomer


John Zorn El General Tzadik 2009 Marco Cappelli Italian Doc Remix Itinera 2008 Marc Ribot has an unusual combination of talents: a strong musical personality and an ...

371

Article: Multiple Reviews

Nate Wooley: Throw Down Your Hammer and Sing and Crackleknob

Read "Nate Wooley: Throw Down Your Hammer and Sing and Crackleknob" reviewed by Clifford Allen


Two recent discs featuring trumpeter-composer Nate Wooley explore improvisational language through non-traditional approaches, both collective and solo. Some of that expansion includes electronics and electro-acoustic blur, such as on Throw Down Your Hammer and Sing (joining Wooley with cellist Fred Lonberg-Holm and bassist Jason Roebke). Unisons and parallels also factor in both of these drummerless trios, ...

278

Article: Multiple Reviews

Bill Frisell: Hemispheres & The Stars Are All New Songs, Vol. 1

Read "Bill Frisell: Hemispheres & The Stars Are All New Songs, Vol. 1" reviewed by Kurt Gottschalk


Jim Hall & Bill Frisell with Scott Colley & Joey Baron Hemispheres ArtistShare 2008 Jakob Bro The Stars Are All New Songs, Vol. 1 Loveland Records 2008 Bill Frisell no ...

415

Article: Multiple Reviews

Alexander von Schlippenbach, Aki Takase and Rudi Mahall: Betting on Tradition

Read "Alexander von Schlippenbach, Aki Takase and Rudi Mahall: Betting on Tradition" reviewed by Clifford Allen


European improvisation began to set itself apart when it built its own tradition, drawing from folk forms and concert music rather than providing provincial answers to questions posed by Ornette Coleman, Thelonious Monk or Duke Ellington. Of course, all these figures factored into the music of players like trombonist Albert Mangelsdorff, drummer Gil Cuppini and reed ...

477

Article: Multiple Reviews

Fred Frith and Arte Quartett: Still Urban / The Big Picture

Read "Fred Frith and Arte Quartett: Still Urban / The Big Picture" reviewed by Nic Jones


Alongside a career as an independently-minded improviser, guitarist Fred Frith has maintained a track record as a “formal" composer. Whilst these two roles might on the surface appear contradictory, Frith has over the years managed effortlessly to maintain them. Thus, the composed content on Still Urban and The Big Picture is for the Arte Quartett, on ...

457

Article: Multiple Reviews

A New Dawn: Self Produced Artists In The Digital Age

Read "A New Dawn: Self Produced Artists In The Digital Age" reviewed by Mark Corroto


If musicians were instead writers or visual artists, their self-produced recordings would fall under the valued category of chapbook or artist book. In this 21st century, musicians are able to produce studio quality digital music with very inexpensive tools and software. They can also create a traditional manufactured product, printed and packaged, yet often they eschew ...


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