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Milford Graves
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Milford Graves was into his own version of World Music long before there was the term. His individualistic approach to the rudiments of drumming and its rhythmic pulses were light years ahead of most musicians. Yet he found musical colleagues and an audience for his forays into the deep end of free jazz. A native New Yorker, and exposed to Latin rhythms, he started out as a child on congas, then became a teenage timbales player in a Latin band from 1959 through the early ‘60’s, Graves switched to a trap set after seeing Elvin Jones with Coltrane. From 1964 he was an essential member of the New Thing movement in New York City, and backing up Amiri Baraka's Harlem poetry readings. Graves became a devout student of percussion on an international level, and went on to study not only its African roots and development, but expanded his studies on the Indian tablas with acknowledged master Wasantha Singh. He had quite an extensive resume in the 1960’s playing with Hugh Masakela and Miriam Makeba, Giuseppi Logan, was a member of the Jazz Composers’ Orchestra Association, and collaborated with avante-garde pianist Paul Bley. Graves recorded with pianist Don Pullen in 1966,(Graves Pullen Duo) and worked recurrently with Albert Ayler in 1967 and 1968, performing at the 1967 Newport Festival
Bill Dixon e Cecil Taylor: iniziò a Verona
by Angelo Leonardi
La pubblicazione di quest'inedita incisione in studio documenta un momento storico: il magistrale e fugace confronto artistico tra Bill Dixon e Cecil Taylor dell'estate 1992. I due protagonisti del free dettero il 25 giugno di quell'anno un concerto a Verona Jazz, nei giorni seguenti s'esibirono a Vienne (Francia) e subito dopo entrarono in studio ...
Vision Festival 2019
by Luciano Rossetti
Photos from Vision Jazz Festival 2019 held in New York from June 11 to 16. This year's festival was dedicated to Andrew Cyrille and featured Milford Graves, Kidd Jordan, Wadada Leo Smith, Peter Brotzmann, Marc Ribot, William Parker, Hamid Drake, Yoshiko Chuma, Melvin Gibbs, Jemeel Moondoc, Marty Ehrlich, Matthew Shipp, Rob Brown, Steve Swell, Kris Davis, ...
John Dikeman And The Origin Of The Species
by Mark Corroto
If we were to go searching for saxophonist John Dikeman's spirit animal, we might have to bypass beast for sapien. Let's just say his spirit animal is the father of punk, Iggy Pop. Like early music by The Stooges, Dikeman's sound makes reference to the music of both Albert Ayler and Pharoah Sanders. It's a shame ...
New York's 24th Annual Vision Festival
by Frank Rubolino
Although Europe has a plethora of creative improvised music festivals throughout the year, drawing on a large audience base of appreciative fans, one festival in the USA stands out as the beacon of hope and encouragement for this music in its native land. Now in its 24th year, New York's Vision Festival, presented by Arts for ...
Celebrating Andrew Cyrille at the 2019 Vision Festival
by Dave Kaufman
The 2019 jazz festival “high holy" season opened with the sounds of the 24th Vision Festival, the longest running jazz festival in New York City. The festival is dedicated to free jazz and improvised music, but it is an expansive celebration of art in its many guises. Dance performances, poetry and visual art forms are an ...
Charles Mingus: Jazz In Detroit / Strata Concert Gallery / 46 Selden
by Chris May
Summer 2018 saw the general release of privately held recordings by two giants of twentieth century jazz. First up was John Coltrane's Both Directions At Once: The Lost Album (Impulse!). It was followed by Thelonious Monk's Mønk (Gearbox). In autumn 2018, recordings by another totemic figure, Charles Mingus, become the year's third newly revealed archaeological discovery. ...
Joe McPhee / Pascal Niggenkemper / Ståle Liavik Solberg: Imaginary Numbers
by John Sharpe
Veteran multi-instrumentalist Joe McPhee always seems open to encounters with like-minded spirits wherever he finds them. Some of his finest albums have stemmed from his collaborations with groups of younger musicians, such as Spontaneous Combustion (Otoroku, 2015) with Decoy and Skullduggery (Clean Feed, 2015) with Universal Indians. On Imaginary Numbers he teams up with two high-profile ...
Jazz em Agosto 2018
by Petra Cvelbar
For the first time in its history, the entire Jazz em Agosto programme was organised around a single musician. And the choice could hardly fall on a more striking name--both for the history of the festival and for the fundamental course of music he helped shape in the last decades: John Zorn, an artist with a ...
Suoni Per Il Popolo 2018
by Mike Chamberlain
Suoni Per Il Popolo Montreal, Quebec June 1-19, 2018 The Casa del Popolo and Sala Rossa, the hub of the annual June celebration of avant music known as the Suoni Per Il Popolo, sit across from one another on Saint Laurent Boulevard just below the major intersection of Saint Joseph. ...
