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Dan Tepfer / Lee Konitz: Duos with Lee
by Raul d'Gama Rose
This record is reminiscent of Miles Davis' Kind of Blue (Columbia, 1959)--not historic, like that legendary record, which set modal jazz in motion--but very likely similar to that session, that must surely have been charged with near-ceaselessly flowing ideas. Duos with Lee comes from the hearts, minds and fingers of pianist Dan Tepfer and alto saxophonist ...
Take Five With Jake Hanlon
by AAJ Staff
Meet Jake Hanlon: Performer, composer and educator, Jake Hanlon currently resides in Antigonish Nova Scotia, a Professor of Music at Saint Francis Xavier University. A native of Nova Scotia Canada, Hanlon has had the opportunity to work some of the brightest and talented students and teachers in the world. In 2003 he graduated with Honors from ...
Jack Reilly Trio: Live at Dean Clough
by Samuel Chell
Jack Reilly Trio Live At Dean Clough Dean Clough Unichrom 2007 After composing, performing and recording a work motivated by and patterned after a struggle with a life- threatening illness (Innocence: Green Spring Suite, Unichrom, 2007), Jack Reilly might be expected to lighten up on his ...
Eclectica: Streaming Video Soul
by John Kelman
After years building an audience one town at a time, banjoist Béla Fleck and the Flecktones no longer needs to record and tour incessantly, allowing its members to pursue other avenues. With Fleck off pursuing his Throw Down Your Heart, Tales from the Acoustic Planet, Vol. 3: Africa Sessions (Rounder, 2009), bassist Victor Wooten collaborating with ...
Live from Cafe Bohemia: Hardbop in the Heart of Greenwich Village
In the mid-1950s Cafe Bohemia was one of the most happening jazz clubs in New York City—a Greenwich Village club that caught the vibe of Manhattan’s thriving art and intellectual scene. On any given night a visitor might hear Charles Mingus, Art Blakey, or Kenny Dorham holding down the stage, with future cult figure Herbie Nichols ...
Tim Berne: The Subliminal Explorations of a Creative Mind
by Lloyd N. Peterson Jr.
Fascinated by unconventional and complex ideas, saxophonist and composer Tim Berne has become a creative force, exploring all the possibilities in sound through his fearless and brilliant imagination. Lloyd Peterson: You didn't start playing the sax until you were about twenty. That would take quite a bit of confidence.Tim Berne: I didn't ...
Miles Davis: That's What Happened: Live in Germany 1987
by John Kelman
Miles DavisThat's What Happened: Live in Germany 1987 Eagle Eye Media2009The exhaustive (and expensive) 20CD box set, The Complete Miles Davis at Montreux 1973-1991 (Columbia/Legacy, 2002), finally set the record straight about the late trumpeter's often misunderstood and overly criticized final decade. Admittedly, many of his studio releases ...
Bobby Sanabria / Manhattan School of Music Afro-Cuban Jazz Orchestra: Kenya Revisited Live!!!
by Alain Londes
2009 is a key year in Latin music education and rediscovery. Kenya Revisited Live!!! is the culmination of Bobby Sanabria's effort to recreate Machito & The Afro-Cubans' defining 1957 masterpiece, Kenya: Afro-Cuban Jazz (Roulette), under the direction of Mario Bauzá. It's a real bridge between Afro-Cuban music and jazz, featuring the Manhattan School of Music Afro-Cuban ...
Scott Tinkler: Trumpet Down Under
by Ludwig vanTrikt
Bassist/composer Lindsey Horner recently said, I think one thing that has really changed in the past quarter century is that the music has become so broad, so truly international and genre-encompassing that the days when jazz was one very definable, finite thing are well and truly gone." These remarks also serve to introduce this interview with ...
Take Five With Quintin Gerard W.
by AAJ Staff
Instrument(s):Saxophones, flute, keyboards. Teachers and/or influences? Earl Turbinton (teacher), Rick Margitza (teacher), Kenny Garrett (teacher), Dexter Gordon (influence), Miles Davis (influence).I knew I wanted to be a musician when... I first heard my older brother perform in the local high school marching band. He played clarinet and my ...

