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Joan Jeanrenaud: The Beat of the Moment
by Anil Prasad
Playing it safe is a concept in which cellist Joan Jeanrenaud has total disinterest. Her deep, varied career reflects a restless creative spirit that most recently manifested itself on Pop-Pop (Deconet, 2010), her duo album with producer and percussionist PC Muñoz. The disc seamlessly blends cello, classical, electronica, and hip-hop influences. But, perhaps, the most important ...
Paolo Fresu / A Filetta Corsican Voices / Daniele di Bonaventura: Mistico Mediterraneo
by John Kelman
At a time when cross-pollination has become the new musical evolution, ECM Records remains at the vanguard. Whether blending music of Tunisian origins with European impressionistic concerns and hints of New World groove on oudist Anouar Brahem's The Astounding Eyes of Rita (2009), or marrying Persian percussion with Baroque instrumentation and Fourth World improvisation on keyboardist ...
Abdullah Ibrahim & Ekaya: Sotho Blue
by Ian Patterson
Pianist Abdullah Ibrahim's Ekaya is more an expression of the South African's musical philosophy than a fixed combo; musicians have come and gone and his collaborators have changed completely since its inception in 1983. Ekaya is not about personalities, but about music born of South Africa and the Afro-American experience. Speaking of Ekaya, Ibrahim states, Its ...
Ron Thomas: Two Lonely People
by Dan McClenaghan
A spin through pianist Ron Thomas's discography as a leader doesn't always directly point toward the music found on Two Lonely People. His two masterful trio outings, Music in Three Parts (Art of Life Records, 2006) and Doloroso (Art of Life Records, 2006) are both full of abstract and elastic originals; the highly electric and compellingly ...
Dave Douglas and Keystone: Columbus, February 5, 2011
by Mark Corroto
Dave Douglas & KeystoneLincoln TheatreColumbus, OhioFebruary 5, 2011 It seemed somehow fitting that composer Dave Douglas' presentation of Spark Of Being (Greenleaf Music, 2010) be held in the aftermath of the blizzard of 2011. The audience for this retelling of Mary Shelley's Frankenstein, which begins and ends with a sailing ...
Nordic Connect: Spirals
by Troy Collins
Scandinavian jazz has enjoyed quite a renaissance over the past few decades, ranging from the cool Norwegian austerity of Jan Garbarek and Terje Rypdal's seminal 1970's recordings to the fiery Swedish expressionism of Magnus Broo and Mats Gustafsson's recent avant-garde excursions. Spirals, the sophomore effort of Nordic Connect, embraces both aesthetic dualities, serving as a pertinent ...
A Biographical Guide to the Great Jazz and Pop Singers
By Suzanne Cloud Let there be no doubt that Will Friedwald loves singers and the context from within which they singthe songs of the great American songbook. In A Biographical Guide to the Great Jazz and Pop Singers, Friedwald, a respected jazz writer with seven previous books on music and popular culture, has written an encyclopedically ...
Johannesson & Schultz: Johannesson & Schultz
by Chris Mosey
Johannesson & Schultz is an album that triggers memories of those heady days in the late 1960s when fusion was all the rage. One that evokes distant echoes of Miles Davis' In A Silent Way (Columbia, 1969) and the work of guitarist Larry Coryell. It harks back to the quieter, more meditative end of the genre, ...
Mark Isaacs: Aurora
by John Kelman
As Tell It Like It Is (ABC Jazz, 2009), amply proved, sometimes it's better to work with local musicians who, through regular touring, establish a singular collective voice. That's not to say Resurgence (ABC Jazz, 2007) was bad--it's hard to imagine anything with bassist Jay Anderson, drummer Vinnie Colaiuta and saxophonist Bob Sheppard as lacking in ...
Milt Jackson and Paul Desmond: Elder Statesmen on CTI
by Dan Bilawsky
Popular music is usually a young person's game. Older artists, in any genre, often get pushed to the periphery to make way for the next big thing that can sell in numbers. But the CTI label was age-blind when it came to its artist roster. While it's certainly true that the stable of musicians on the ...

