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Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3
by John Kelman
By the time Bitches Brew (Columbia) was released in April, 1970—and despite receiving a 5-star review in Downbeat Magazine—trumpeter Miles Davis was already under fire from mainstream jazz critics as having “sold out," despite the densely constructed, improvisationally unfettered music being as unapproachable to an audience looking for accessible music as anything he'd done with his ...
John McLaughlin & The 4th Dimension: The Boston Record
by John Kelman
Ever since guitarist John McLaughlin formed the 4th Dimension--his first electric fusion band in a decade--fans have been hoping he'd dig a little further into his back catalog. The wait is over with The Boston Record, a live album recorded in 2013 at Boston's Berklee College of Music. This isn't 4th Dimension's first live ...
Gerard D'Angelo: Who's Kidding Who?
by DanMichael Reyes
The old adage about those who can do and those who can't teach doesn't fit nicely into any music tradition. If this fallacy were to hold true, then it would be best for music history books to write off Joseph Haydn for taking on pupils--Beethoven being one of the more famous ones. That old idiom penned ...
Take Five With Dee Bell
by AAJ Staff
Meet Dee Bell: Dee Bell has three jazz albums that have all been at the top of the airplay charts. The most recent, Sagacious Grace (Laser Records) with Houston Person, was released in August 2011 and hit the JazzWeek charts at 31. Bell's debut album, Let There Be Love with Stan Getz on saxophone and ...
Jazz Quanta March
by C. Michael Bailey
RareNoise, chant, drunken big band...Good Lawd! Free Nelson Mandoomjazz The Shape of Doomjazz to Come/Saxophone Giganticus RareNoise 2014 You have to love RareNoise Records for inventive sonic turbulence. Add to this alto saxophonist Rebecca Sneddon sense of humor aping the title of this “double EP" ...
Hot Tone Music: Creating Great Music of Today
by Jakob Baekgaard
There was a time when the only possibility for an artist was to record for a major label, but nowadays things have changed. While major labels are struggling to make the money they used to do, many of them have also stopped being innovators. Instead, they churn out repackaged product and focus on new music that ...
Take Five With Billy Carrion Jr.
by AAJ Staff
Meet Billy Carrion Jr: I've been around music since I was in my mother's womb. My dad-- singer, Billy Carrion Sr. --would play sounds of Batacumbele through headphones over my mom's belly. My first saxophone experience came at nine. After being taught to read and write, I started my musical journey. At 16, I was ...
Clovis Nicolas: Nine Stories
by Gabriel Medina Arenas
Ron Carter's judgment regarding the talent of a fellow double bassist can't be wrong. The acclaimed musician, who has recorded more than 2,500 albums and was a fundamental member of the Miles Davis Quintet, highly praises the sound and compositions of Clovis Nicolas. Carter wrote the liner notes to Nicolas' Nine Stories, the first ...
Sonorama: Putting the Past in the Future
by Jakob Baekgaard
It takes a collector to know what a collector wants. Ekkehart Fleischhammer who runs the German reissue label Sonorama has been in the record business since 2004, but he has spent far more time enjoying and searching for music. His own expertise and sense of quality is the foundation for Sonorama Records whose specialty is the ...
Franklin Kiermyer: Joy And Consequence
by Ian Patterson
The tradition. It's common jazz terminology. What does it mean, though, to be “in the tradition"? The term usually confers on the musician a stamp of authenticity and infers working knowledge of the dominant idiom, as typified by the jazz cannon. It also perhaps implies a certain orthodoxy. It's strange to think, however, that a music ...
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